The Fairy Princess is pleased to announce that she will be a Keynote Speaker at the LA Stage Alliance’s Stage Day Conference on May 18, 2013!

This is SO exciting! I mean, we will get to shoot the breeze and talk about all those silly kerfuffles that happened with Asian American representation in Theater over the last year, and oh MY will we laugh because it was all so….

Sorry, wait a minute – what’s that you have there?

Ah yes, Drama Desk nominations – so exciting, The Fairy Princess knows so many on this list, let’s take a look:

Billy Porter for KINKY BOOTS – well, naturally – he is amazing in that show. Christiane Noll for CHAPLIN – she’s so talented, remember her turn in RAGTIME as Mother? Oh, I loved it so much…

The Cast of WORKING is getting recognized! Nice!

Oh look, HERE LIES LOVE which is now at The Public is getting quite a few nods – Outstanding Musical, Outstanding Director of a Musical, Outstanding Lighting Design, Outstanding Lyrics and Outstanding Music – oh they must be so pleased!

Ok, going down the list and going down the list and….ummmm – hold please….let me look at this list for Best Featured Actor and Actress in a Musical….oh dear.

NO!

NO!

THIS CANNOT HAPPEN AGAIN!!!!!!!

I thought we agreed!

I mean AAPAC made a statement!

The Roundabout Theater agreed to a close door meeting to discuss this…this…the…’Brownface’ and the faux Bollywood accents and the…I feel like I am Foghorn Leghorn and all the Award Committees are trying to prove they are chicken hawks!

Lemme get this straight Drama Desk Awards – in a musical about Asians, played by Asian Americans, there are no Individual Nominations (And btw, that is totally fine and happens a lot and it is not the reason for the following outburst).

But the people wearing heavy makeup and using crazy Bollywood gestures have Nominations for Best Featured Actor and Actress in A Musical!

For being directed to inhabit their roles with what the The New York Times said was “…silly imitation exoticism …in absurd burnt-umber makeup”

(The Fairy Princess wants to be quite clear, that no Actor or Actress takes the stage and gives any sort of performance in a Broadway revival without direction, so she is fairly certain that the choices made to portray Neville and Helena Landless were not from the Actors. This is not about the talent or a personal attack on these particular actors)

(Obviously the Actors do not go around their daily lives striking these kinds of poses – that would be RIDICULOUS)

Those two have the nominations, not these two…

Again, so we are clear…these two

And NOT any of the people pictured here

The Fairy Princess has a question for the Drama Desk Nominating Committee – If you nominate Caucasians made up to resemble what is a stereotype of an Asian person, isn’t that, well…endorsing the use of stuff like….oh, I don’t know….

Or, well….

Oh Drama Desk Committee, you have many, many things to worry about, so I will give you the answer…it’s not B.

THE ANSWER IS YES!

Because you see, the makeup is only a few kick ball changes away from..(.and I so hesitate to use this photo because, well, it’s AWFUL), but you see, by endorsing those kinds of performances with such a distinguished award, oh Drama Desk Nominating Committee, you are only a few shades away from endorsing…uh…THIS

Aha! THIS is the part where everyone is going to get mad, and argue that using Brownface or Yellowface is fairly standard in our industry – alive and well since the 1800’s, and that Caucasians wearing exaggerated makeup to resemble Asians is, in no way, comparable to Minstrel performances that characterized and dehumanized African Americans shamefully in this country.

Because… let’s face it – everyone did The Mikado in High School, and they LOVED wearing the Yellowface, they thought it was fun! They did not, and do not think absurd shuffling, and forgetting consonants and wearing eyeliner from the corner of their eye till it nearly touches their ear was bad! They had a good time!…. And then they went and lost their virginity at the Cast Party afterwards – and yeah, they were probably still wearing the makeup because…’that’s hot’.

Cuz to us….

Yellowface or Brownface is the SAME as Blackface.

It really, really is.

Because what it says is – and think about this just a bit before everyone flies off the handle and starts bashing me on Broadwayworld.com – (and yes, I have seen the posts – nice grammar, Crackpots) – when you erase Asian faces from roles where they are possible, have them played in heavy makeup by Caucasians whose very portrayals mock their heritage, and then endorse those portrayals with an AWARD, it tells us one thing – loud and clear.

It tells us we don’t count.

And here’s the thing…if there is one thing we are known for, it’s being able to count.

It says “We are so used to not seeing you, that when we do see you, well…you are not as we had imagined, so we’d rather just forget the you that is you, and you know…make it up.”

Etcetera, Etcetera, Etectera….

I mean, if you can see this from space….

But when you go to the theater where there is a South Asian character and you don’t see this…

You see this…

Something is rotten, and we are nowhere near Denmark.

What are ‘we’ supposed to think? What would YOU think?

The Fairy Princess is NOT calling The Drama Desk Awards racist, because that would be absurd!

There have been many past winners of the Drama Desk Awards who are, in fact, Asian American – Francis Jue for David Henry Hwang’s YELLOWFACE

(In context, a title disturbingly appropriate.)

Deborah S. Craig won for The 25th Annual Putnam County Spelling Bee for her breakthrough performance as Marcy Park.

So it is NOT that The Drama Desk Awards are racist – and let’s stop throwing that word around like a frisbee – it is that…it is that they are so used to seeing Caucasians play Asian, that it didn’t mean a damn thing to them. And that is the saddest part of all.

Theater is supposed to break the stereotypes, not endorse them.

It’s supposed to lift you up, and by ‘you’, I mean everyone.

The Drama Desk Awards DO have 3 Nominations this year for Asian Americans –

Joel de la Fuente: OUTSTANDING SOLO PERFORMANCE – Hold These Truths

Jane Wang – OUTSTANDING MUSIC IN A PLAY – Strange Tales of Liaozhai

Eugene Ma – OUTSTANDING MUSIC IN A PLAY – The Man who Laughs

The Fairy Princess wishes them well. She actually wishes everyone well – but truthfully what would be great is if the cast of HERE LIES LOVE sits right in front, so no matter WHO wins, they are seen.

We. Are. Seen.

And, scene.

Finally, for all the people who comment, who are sooooo threatened by the ability to see something a different way, I just ask you – why do you like theater? Do you like it because you learn something when you go? Do you like it because it can make the world brighter? Or, do you just like calling me a bitch?

Because the reason I write this is not because I ‘like’ theater, it is because I love theater. I have devoted my life to it. I just want it to be better, for everyone. I want people of all races to be able to GO to the theater and see themselves.

Seeing yourself is powerful. Seeing yourself is empowering. Seeing yourself is halfway to becoming the person you want to be.

I had a friend who is unfortunately gone now, and what he always used to say is “If they knew better, they would do better” – and this blog is to point out that sometimes people do not know, and I just try to explain to them that they need to do better. So simple. I just say it…well….

In a really snarky way.

Because…that’s me.

Anyway, this is a thrilling awards season, and I wish all the Nominees of everything well, besides….