Archives for the month of: February, 2013

As you know…The Fairy Princess has had some things to say about casting, particularly theatrical casting – both in the USA and abroad.

I'm thinking...I'm thinking

I’m thinking…I’m thinking

Ahem.

Just a few things (thing 1, thing 2, thing 3). We’ve gone from Chinese people being eliminated in Mythical China, to Chinese people being eliminated from a Chinese play that is set in real, actual China but shown onstage in the UK, to South Asian people being mocked on Broadway…it’s been a busy year for neglect racism.

Or as I call it in terms that render it more a medical condition, and therefore treatable – Lazydirectitum aka Castingidiotum aka Artisticdirectorless

There have been several theater conferences on the issue – a forum hosted by the venerable East West Players in Los Angeles, “Open Door” in the UK hosted by British Equity, and most recently one held in Chicago hosted by Silk Road Rising Theater Company.

There was also a ‘talk back‘ at La Jolla Playhouse, and an upcoming March ‘closed door’ meeting at The Roundabout theater company, and now, FINALLY there has been some real, definitive action – a Master stroke has been dealt and it is a doozy.

A.C.T. – the American Conservatory Theater has taken aim at that pesky windmill of neglectful racism and in two, bold and daring moves, they have put the theater community on notice.

What is this you say? Wait, could it BE? Could there be a light at the end of the railroad tunnel? Is it possible?

The light shines brighter in San Francisco

The light shines brighter in San Francisco

YES, my Children, they have done it.

ACT is doing 2 shows with…wait for it….Asian people.

SHUT THE FRONT DOOR!

President George W. Bush can't believe it EITHER

President George W. Bush can’t believe it EITHER

Boldly going where few have gone before in recent memory, ACT is doing Stuck Elevator in April 2013 – a new work based on a real undocumented Chinese Delivery Man in New York, who was stuck in an elevator for 81 hours. Poor guy.

(The Fairy Princess was stuck in an elevator once, in New York City, but it was only for forty five minutes and no one wrote a musical about it because all it would have entailed was The Fairy Princess sitting her butt on the elevator floor waiting for someone to realize she was missing, so it is good that no one ever optioned that particular story from her life.)

The Fairy Princess is gobsmacked! She even knows two of the folks in the cast – Raymond J. Lee (He’s in The Mikado Project trailer, rapping A Wandering Minstrel )

and Joseph Anthony Foronda.

Joseph Anthony Foronda & Erin Quill in 50th Anniversary Production of Flower Drum Song at AMTSJ

Joseph Anthony Foronda & Erin Quill in 50th Anniversary Production of Flower Drum Song at AMTSJ

Both of whom are exceptionally talented, and with whom The Fairy Princess is very honored to have shared the stage and screen with.

BUT WAIT THERE IS MORE!

ACT is not done!

What? What you say? I KNOW, I know…you are very excited.

DANCE BREAK!

Ok that’s enough. Stop now. Because you will never, ever, never ever EVAH guess what ACT has planned!

They are going to take that same translation of The Orphan of Zha0, yes, the VERY one that The Royal Shakespeare Company had commissioned from James Fenton –

RSC's Poster

RSC’s Poster

and….AND.…They are going to put a Chinese American Actor in the lead role!

DROP MIC! Grab a towel and let a peon wipe your brow, ACT, THIS is Victoria Beckham ‘MAH-JOR’!

Gregory Doran must be so pissed! (And not in the British ‘pissed’ = ‘drunk’ way, but pissed off)

He’s saying “What, what? The Colonies? They’ve done what? And who is in the Cast? Who? Shown me up, have they? Made legitimate casting decisions based on text, have they? Upstarts! Well I NEVER!”

Yes. We know that, Mr. Doran.

You never. Because you did not feel that British East Asians should be in a repertory season, so you just thought it was better to not bother with them at all in a show set in China, that you went over to China to do research on. Because even though there are conservatory trained Actors in the UK, no one would ‘buy’ them in a Brecht play, in your opinion, so you just felt…eh, why bother?

Oh, you are back Mr. Doran, sorry I was doing a gig of happiness – well, I’m Irish, sometimes you have to…

Do you want to know who they cast Mr. Doran?

Those pesky people at ACT?

THIS GUY:

BD Wong, Actor

BD Wong, Actor

You know what? When The Fairy Princess puts them one under the other, the photos, doesn’t that little boy seem like he could possibly grow up and be TONY Winner BD Wong?

OH.

OH.

You see, Mr. Doran, That’s the point. The point is – is that there is going to be an Asian American Actor portraying an Asian person!

He’s not going to be a dog puppet….

Joan Iyolia & Chris Lew Kum Hoi in rehearsalPlaying the dog, sorry, dog puppet at The RSC's Production of The Orphan of Zhao

Joan Iyolia & Chris Lew Kum Hoi in rehearsal
Playing the dog, sorry, dog puppet at The RSC’s Production of The Orphan of Zhao

He is not going to have to ‘learn’ how to tape his eyes…..

Saigoned, So wrong

Or use a terrible accent…..

ImageCache

He is just going to get to be the Lead, in a production that is set in a country, where, historically, his Family may have been from.

It is mind-bogglingly simple. It is the Casting that need not speak it’s name. It’s a home run.

So what, Dear Reader can we do to support this bold and brave casting choices?

We can all buy tickets and go. That’s how you vote in theater, with your dollars and common sense.

Look, you may be reading this as an Asian American Actor, or you may be reading this as a theater fan, or you may be reading this because you are going to post on the comments how awful I am and how I know nothing (opinions are indeed like a**holes, everyone has one) but for whatever reason, you are here. Don’t waste this beautiful opportunity to be part of the change of American theater. Buy at ticket to these productions – and you know what?

KEEP BUYING TICKETS – go to the theater, go to film festivals – GO, GO, GO! Even if you don’t like the first thing you see, or the second – when you see that the theater community is reaching out, reach back.

One of the biggest obstacles in including Asian American performers more into our Theater culture is that ‘no one‘ will buy tickets to see an Asian American as a lead. Prove them wrong. You’re someone, aren’t you?

I don’t have a crystal ball

Ok I lied, I have a crystal ball (Photo by Dr. Michelle Ko)

I borrowed it.
(Photo by Dr. Michelle Ko)

But if I did, I would tell you to keep your eyes open because this is a very encouraging and exciting thing.

Which is great, because recent reports have been upsetting.

Although, I must admit, if American Theater is going to keep this up – The Fairy Princess may never ‘have‘ to blog again – and wouldn’t it be loverly?

Clang, Clang, Clang San Francisco – well done!

 

TEN Waves of the Wand to ACT – and the Artistic Director, Carey Perloff.

The Fairy Princess wanted to take a brief moment and congratulate the British East Artists on their award of Nee Hao Magazine’s Man and Woman of the Year Award.

The fight for recognition in theater or for those in the UK, theatre, is so very complicated and exhausting, that it is truly, truly a wonderful thing to see their work recognized in a way that the US Asian Americans have yet to be, though AAPAC is doing great work under the leadership of Pun Bandhu.

Here is the article from Nee Hao and as part of the “international support’ team, I am absolutely thrilled.

NEE HAO’S MAN AND WOMAN OF 2012: BRITISH EAST ASIAN ARTISTS

February 5, 2013 8:03 pm

After much deliberation from the judges in reviewing a pool of impressive candidates, a decision was made. On February 9, the winner of the first-ever Nee Hao’s Man and Woman of the Year Award is to be received by the British East Asian Artists (BEAA), a collation of amazing men and women from diverse professions involved in directing, acting, writing, broadcasting and filmmaking. Normally the award should go to an individual man and woman, but this year an exception is to be made because of the special achievement of this group. A full list of the other finalists will be in articles to follow.

The Judges’ Decision

BEAA was selected by a stellar line of judges comprising of:

  • Dr. Catherine Xiang In charge of Mandarin section at LSE; responsible for Asian Languages, liaison for Confucius Institute Business, London

  • Raymond Wong MBE, the Honorary Chairman of the Bristol Chinese Association

  • Dee Lo, presenter and co-producer of BBC Radio Chinatown in Manchester

  • GK Tang, the founder and entrepreneur behind OrientalUK.com based in the North East

  • Ben Donn, Entrepreneur and founder of V Town Events based in Manchester.

Editor of Nee Hao Magazine Steven Ip, who was not part of the judging panel, had this to say: “Their courage in breaking barriers to incorporate more East Asians into the arts and cultural sectors is truly inspirational. Fighting racism, prejudice and underrepresentation, the BEAA truly deserves universal recognition; I am proud that Nee Hao has played a small part in recognising their contributions”.

Gathering together in 2012, the BEAA campaigned against the Royal Shakespeare Company’s (RSC) adaptation of the Chinese play “Orphan of Zhao”. The RSC only cast three British East Asian actors in the play, reflecting a lack of the organisation’s dedication to equal opportunities-casting. The pressure exerted on the RSC through BEAA’s efforts in rallying up online support resulted in a written statement by the RSC to review their policies. Although it is impossible to recount all the individuals involved in the initiative, notable mentions have been made regarding Daniel York, Anna Chen, Dr. Broderick D.V. Chow, Kathryn Golding, Paul Hyu, Michelle Lee, Chowee Leow, Hi Ching, Jennifer Lim, Lucy Sheen, and Amanda Rogers.

man-of-the-year

Victor Wong, Executive Director of the Chinese Canadian National Council, who co-nominated the group stated:

“Through their efforts, the BEAA successfully challenged the racist assumptions and stereotyping of the theatre industry. Their efforts to break the glass ceiling of “invisibility” in the UK also benefits the British Chinese and East Asian communities in general, and especially for young people at the beginning of their careers. The BEAA were able to attract international support and also engaged with important allies including Equity representatives, media, funders and political representatives”.

Yinsey Wang, contributing editor of Nee Hao, who also supported the nomination of BEAA, stated of the Nee Hao’s Man and Woman of the Year project:

“We wanted this award to support what we feel is lacking in the British East Asian community: unity. The BEAA has shown dedication to a truly unified cause and enchanted the imagination of the British East Asian. As a British East Asian, I feel empowered to know that together we can make substantial differences in Britain, and can even engage the serious problems that affect the heart of the international community, such as racism, underrepresentation and misunderstanding”.

BEAA continues to create extensive ripples in the arts and culture of Britain, providing a forum for creatives to share and develop their work. Nee Hao is proud to celebrate this year’s men and women from the BEAA that have outlined 2012 as an important step forward for all British East Asians.

For more information about BEAA, visit britisheastaa.wix.com. To read their 30 October 2012 statement, click here.

A statement by BEAA is to be made at the awards ceremony and shall be reported on after the festivities of Nee Hao Magazine’s Chinese New Year Show in London, which includes a fashion show, performances, a charity raffle in support of Chinese orphaned and abandoned children, and delightful culinary creations.

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The Fairy Princess also wanted to take a moment, and recognize the passing of a true Artist and Pioneer for API performers, particularly those of us who fall into the even smaller category of “Eurasian’ aka “Hapa” aka “Mixed Race” performers – Kevin Gray, known for his work in Miss Saigon, The King and I, Phantom of the Opera, The Lion King, and many more – died suddenly of a heart attack at the age of 55.

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(If you click on the names of the shows, you will find articles from Playbill.com on his many successes)

Here is an interview of Kevin when he was doing The King and I at The MUNY

When I looked at my Facebook and Twitter feeds, I was staggered by how many of my friends had worked with him – friends of all different backgrounds and so many different kinds of shows – he touched them all through his work and his friendship. He was a pioneer simply because he was a wonderful performer and his talent was second to none.

This is not an obituary of Kevin, it is simply a thank you – I am not qualified to write one for him, but Theatermania and Playbill have done so, and if you click the words there, you will see them.

The Fairy Princess wanted to acknowledge that though we are all still fighting for recognition on our world stages, there was a brilliant warrior fighting that same fight, simply by being a standout in all he did.

Rest in Peace Kevin Gray – many thoughts and prayers to your Wife and Family.

And, Thank you.