Archives for the month of: March, 2015

The Fairy Princess on a daily basis gets frustrated with young women in the public eye.

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She says that not because she is angry or unhappy about them being in the public eye, but because so often, they ones that wound up in the public eye at a young age have missed some supplemental education because value is placed on other things – things like singing and dancing and acting.

Don’t go crazy, it is TFP’s opinion based on observation.

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While TFP knows that singing, dancing, and acting does NOT prevent one from ‘thinking the big thinks‘ – if one does not realize the value of them, those ‘big thinks‘, then one can so easily laugh them off – the collective value of the big thinks.

Case in point – FEMINISM

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Now, TFP is of the opinion that every woman in the United States today is a feminist.

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This is a loaded statement – and people will ‘come’ for TFP, but WHY is she saying that?

TFP says that every woman in the United States and a large portion of Western Countries are Feminists because they stand, we stand, on the backs of the women that came before. We, the Women of the World, are, as is said in The Joy Luck Club – like ‘steps through time” – one after the other. We, the Women of the United States, are afforded freedoms and choices because of Feminist principles and activists, who fought for us in the past.

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With each age, women strive to come forward a bit more. Yes, we continually have to ‘prove’ ourselves – that we are smart, that we are useful, that we are good mothers, that we are ‘just as capable‘….yes, it is exhausting. This is not new, but it is a constant battle that we wage, secure in the knowledge that at least some of it, has backing in legislation.

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Women today have choices now that their Grandmothers could not imagine. Some women have choices that, given where their Mother came from and how she grew up, that their MOTHER could not imagine – and that is AWESOME!

DANCE PARTY!

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Which is why TFP was so disheartened to read this quote in the New York Times by Vanessa Hudgens,

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who will be starring in the Broadway Revival of GIGI.

Regarding her own feminism, “I used to be on the fence about it, “she said “Just because I feel like it gets to a certain place where it almost has the reverse effect, where it is so overpowering and so aggressive that it’s like rather than just standing up for female pride and female rights, it becomes, like, “I am the man’.

Out came the giggle, like a lace fan. “But now I feel like there’s this new wave of feminists coming up that are truly about equal rights for women. I mean, Beyonce is, like, killing the game, and I love her.”

You have been ON THE FENCE about Feminism because you think it is aggressive and makes you like a man?

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ON THE FENCE?

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You mean that fence that they used to use to keep women from voting, keeping their wages, deciding how many children to have, deciding to pursue education, and deciding to have the ability to start a business that was not based solely on selling their vagina to the highest bidder?

THAT is the fence you were on, Miss Vanessa?

No, Oprah does not understand...NO.

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Not good enough.

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Look, TFP rarely responds to young actresses speaking about Feminism – Cayley Cuoco gave a doozy of a statement when she told REDBOOK Magazine (when asked was she a Feminist)

“Is it bad if I say no? ….I cook for Ryan five nights a week and it makes me feel like a housewife; I love that”

TFP thought….

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Ms. Cuoco later had to apologize because she is a multi-millionaire who has made her living in one of the most color biased and gender biased businesses in the world, a world she resides in because of an uber amount of privilege and timing…and she made the rounds spouting that age old Publicist ‘cure-all’  – ‘My words were taken out of context.’

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No, they weren’t. Vanessa’s were not either. They were not taken out of context because, as is quite clear – because you have to know what the context IS, to be taken out of it. These young women of privilege and position have NO IDEA what Feminism is, and what it has given them, and so…they are talking out of their ass.

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Yes, TFP said “talking out of their ass’ er…’asses’.

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While TFP generally ignores things that silly women say – ONLY BECAUSE SHE KNOWS HOW MANY BRILLIANT AND SAVVY WOMEN ARE OUT THERE IN THE WORLD – she cannot ignore it when a person of Mixed race says them.

So Vanessa,

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under the bus you go, because Hapas are not allowed to spout this idiocy.

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There are SO FEW of us out there that EVERY time one of us gets an opportunity they have to, by default, be a role model.

Yes, it is exhausting. Yes, it is a pain in the ass. But what is so tragic is that 11 year old Hudson Yang is paying more attention to his words, as one of the stars of ABC’s FRESH OFF THE BOAT,

than you are, as one of the FIRST Hapas to be headlining a Broadway show at 26 years old!

You are a GROWN ASS WOMAN….and you should know better!

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“We”, the Hapas of Broadway have the leads in ALADDIN, and YOU – that’s it.

If Nicole Scherzinger comes in with CATS, that will be FOUR.

Now and in the foreseeable future....

Now and in the foreseeable future….

If we were to add the supporting roles of those in King & I, it would bring it up to SEVEN. (Much respect to Ruthie Ann Miles, Conrad Ricamora, and Ashley Park).

SIX lead roles played by people of mixed Asian descent out of 32 shows on Broadway. With a possible 7th coming in.

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So no, Miss Vanessa…when we are only dealing with one out of six, one who has legions of teenage female fans, you do not get a pass when you give a quote that posits only BEYONCE as an ‘acceptable’ Feminist.

BEYONCE!

tumblr_mduldxRPA61qktr4to1_400Beyonce has a great gift with a ‘lick’ and is an amazing performer, but are her songs feminist thought inspiring?

If Ya Liked It then ya Should’a Put a Ring on it?

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Beyonce lives as a Feminist – she owns a business, she has her own money, she gives to charity, she is a mother, she votes , she expresses her opinions and is not mocked for them – all those things are benefits of Feminism. Yes, she lives her life as a Feminist, as all women in this country do –  but her songs-  they usually revolve around a man. She ‘owns’ her own sexuality, and that is a component of Feminism of course, but TFP does not really think of Crazy In Love as a rallying cry for Feminism.

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No tea, no shade, no pink lemonade – it is what it is.

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TFP likes Beyonce and her music – but looking for lessons of Feminism from the lyrics?

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Whitney Houston, now? Madonna? Lady Gaga? Pink? Those would all be yes.

TFP is now going to tell  you why, YES VANESSA…you ARE a Feminist – in case you are asked again…

1. You get to vote

in 1920 – a mere 95 years ago, via the 19th Amendment, women were allowed to vote in elections in the United States

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2. You are not the property of your Father as an unmarried woman (Women’s History In America)

“During the early history of the United States, a man virtually owned his wife and children as he did his material possessions. If a poor man chose to send his children to the poorhouse, (to repay his debts) the mother was legally defenseless to object. …Equity law had a liberalizing effect upon the rights of women in the United States. For instance, a woman could sue her husband. Mississippi in 1839, followed by New York in  1848 and Massachusetts in 1854, passed laws allowing married women to own property separate from their husbands. In divorce law, however, the divorced husband kept legal control of both children and property.”

As a young woman, not only would you be the ‘property’ of your Father, you would have to turn all monies earned, if you were ‘allowed’ to work by him, you would turn it all over TO him, because your money was NOT your own.

And if your Dad was Tom Cruise…it would have been…..

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3.  You are not the property, should you choose to marry, of your Husband – this was  ‘coverture”.

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Under coverture, you would turn over any and all property to your Husband as soon as you were married – you would have no say in it’s administration or disposal, and had no legal repercussions if he mishandled the funds. Likewise in the case of a divorce, the courts would favor dispersal to the husband with a small ‘jointure’ perhaps given to the wife at the dissolution of the marriage. Maybe.

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You may be familiar with this as the basic plot of DOWNTOWN ABBEY – remember? The Earl has mishandled the funds his wife brought to the marriage which saved Downtown, but cannot be passed on to Lady Mary because….you guessed it – coverture!

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4. You can have a ‘line of credit’ aka “a credit card’ in your own name.

That law happened in 1974 – and it was called the Equal Credit Opportunity Act. Yes, Vanessa – 1974 was when women in America could get their own credit card! Do YOU have a credit card? Then you should thank those Feminists, male and female, who worked together before you were born, to make sure you could drop into any store you like and buy whatever you want.

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5. If you do get married, and you suffer spousal rape, it is now a crime. This law was passed in 1993. You may even have been born, Miss Vanessa – prior to that, if your spouse was in the mood and you weren’t, too bad.

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6. You can run in the Boston Marathon…something that women could not do until 1972.

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7. You have access to birth control without being subject to ‘decency laws’ or risk being thrown into jail for lewdness.

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8. You can get a divorce (if you chose to get married) without having to prove anyone was ‘at fault’.

Prior to 1967, it was rather hard to get a divorce in this country because one needed ‘grounds’. Like, for example, if the Husband was beating the wife all day and night, and he didn’t want her to be able to divorce him, he could (through attorneys and the law at the time) deny that there was a ‘reason’ for the marriage to dissolve. The wife could move out of course, but legally, he was still her husband.

However, it was shockingly easy for a Husband to put aside a wife, because grounds like ‘adultery’ can be given – even if none occurred, and the court in general, found ‘for’ the Husband. Because of course, who would want to live with a cheating wife?

No Fault Divorce has many for and against – even Feminists are divided, however the fact is, if a woman or man is ‘trapped’ within an untenable situation and they want to walk away – they can.

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FYI, should you be getting married any time soon whilst on Broadway, it is worth noting that New York State was the last state to ratify No Fault Divorce – in 2010.

9. You do not have to wear a religious or state sanctioned outfit that inhibits your freedom of movement – you have a right to wear whatever you want to wear. You can thank Feminists of the 1960‘s for modern inventions like the miniskirt and so forth.

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10. You have the right to star on Broadway in a show about a young girl of 14 who is sold, by her Great Aunts, to an older man in his at least, late 30’s, who is then sooooo overcome by her youth and zest that he ACTUALLY MARRIES HER!

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Instead of, as was the custom in the era in which the show is set, signing a contract with her Family as to how many dresses, spending money, carriages, what kind of house she was to have, what the care and feeding of any children resulting from their sexual congress would be, and which gave HIM the ability to terminate, at any time, his support of a woman who was for all intents and purposes ‘ruined’ in the eyes of society because she was no longer a virgin. Also in the contract would likely be how many times per week she was to expect to receive his ‘attentions’, and perhaps even the times with which she must wait up till, before she could make the determination that he was not coming, so she could go to bed.

After her Swain was done with her, and the contract was terminated,  she would have to find another ‘protector’, as long as she still had her looks.  If she was lucky, she would receive a ‘settlement’ with which she could invest, if not perhaps she would be able to get enough ‘gifts’ that she would then be able to sell as she aged and became less desirable to wealthy men. This would continue until she succumbed perhaps, to one of a host of venereal diseases while all her former lovers were married to ‘respectable’ women and had long and productive lives. She would be left in ‘genteel’ or abject poverty till her death.

That is what happened to Courtesans – if you do not believe, TFP, go and ask Fantine, she is a few theaters down from you.

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That this current version of GIGI is being produced by women who have updated and changed the ages and have made this Gigi more palatable, (according to your Director, Eric Schaeffer “We had to get the perv factor out of it“), to modern tastes… is a result of Feminism.

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Because….de facto – you have Women in power positions on this production, addressing concerns modern women might have with the show – which is the direct result of people laying down in marches and protests, burning their undergarments, going on hunger strikes, marching, legislating, and in general, trying to assure that you, as a 26 year old woman of today, would never have to go through what women in the past have gone through.

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Do the freedoms given to you by women of the past alleviate your concerns that people might think of you as angry or aggressive?

Are there any that you would like to give back?

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The reason that we are all able to stand up for ourselves and decide for ourselves is because those are rights that were won before we even got here on this planet, by Feminists, also call Suffragettes, also called Interfering Women, also a slew of derogatory names as well as ‘Too smart for their own damn good”.  Not all of them were women, either.

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The women of the past have paid it forward to us, and now it is our job to continue to encourage young women to embrace being Feminists, to embrace thinking, to embrace striving, not to scare them by denying what it actually is – which is equality in all things. It is striving for equality – struggles that still go on today.

If one is going to be in a show about a Prostitute…

(which, don’t get TFP wrong, Musical Theater LOVES us some Prostitutes, they get ALL the best songs!)

….who is fighting for her right to decide her own future – then does it not reason that the star of that show should EMBRACE FULLY AND COMPLETELY THE NOTION OF FEMINISM AS IT STANDS TODAY?

quote-people-call-me-a-feminist-whenever-i-express-sentiments-that-differentiate-me-from-a-doormat-or-a-rebecca-west-196326IS THAT NOT WHAT THIS ‘NEW’ VERSION  OF GIGI IS ABOUT ACCORDING TO HEIDI THOMAS, the writer?

Women making their own choices?

You do know that the French Monks who invented Champagne by accident were actually not thinking of Happy Hookers and their Swains when they invented the bubbly beverage, right? Lerner & Lowe just made that up?

Duh_duh_duhLook let’s not drag this on and on and on because here is the short list:

You are Feminist if you have ever begun, as a woman, a sentence with “Well, I think….”

You are a Feminist if you have ever stated, as a woman, “I don’t like that….”

You are a Feminist if you, as a woman, have expressed your option to not have sex with a man who requests it

You are a Feminist if you have, as a woman, encouraged a little girl to dream about her future, and dream big

Those are four VERY SIMPLE examples of how one can be a Feminist.

hAB0D6F77For equating Feminism with trying to be a man, and denying that you yourself are the recipient of the benefits of Feminism – TFP sentences you to 20 whacks with the wand, a wonderful Opening Night, and a reading of The Personal is Political by Carol Hanisch, which you should then talk about with the very brilliant Ms. Thomas with whom you work!

The next time someone asks you – and they will again, TFP would appreciate it, as a person of Mixed Asian descent and as a WOMAN if you would simply reply

“I would not be where I am today without Feminism. Next question.”

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Tell ’em Hillary!

The Fairy Princess is recovering from the joy of seeing that Dallas Summer Musicals has cast the very talented Alan Ariano in the role of The King in their production of Rogers and Hammerstein’s The King & I. She was also thrilled to see that the Broadway Cast of the same show has wound up in Vogue Magazine, and that Anna Wintour is rumored to be taking over the Red Carpet of the TONY Awards so that everyone stops wearing a dress ripped from The Little Mermaid and puts on a damn eyelash!

These are good things and must be celebrated accordingly.

tumblr_n6ee7cdMjw1tcq54io1_400Then she read this article from Hollywood Deadline which yes, ‘reports’ Insider industry news, but in this case has forgone actual facts and gave us instead, a fearful Zombie Apocolypse “What if“, should projects like EMPIRE continue to decimate all others on the television and cable landscape and leak it’s considerable influence into pilot season.

Apparently the writer at Hollywood Deadline is concerned about all these pesky minority actors getting opportunity.

tumblr_mmqykm7uiz1ql5yr7o1_400In fact, the writer of this, Nellie Andreeva, is so concerned about minorities booking jobs on television shows, she is so fearful of the result this may have on , well, I guess on ‘the children‘, everyone is always worried about ‘the children’ right?, that she has manufactured her own ‘backlash’ with the ridiculous question – has Hollywood in pilot season ‘gone too far‘ in casting minorities during Pilot season?

“The TV and film superhero ranks have been overly white for too long, workplace shows should be diverse to reflect workplace in real America, and ethnic actors should get a chance to play more than the proverbial best friend or boss.

But replacing one set of rigid rules with another by imposing a quota of ethnic talent on each show might not be the answer. Empire, Black-ish, Jane the Virgin and Fresh Off The Boat have been breakouts because they represent worlds and points of view that were not on TV

Hmmm. So what you are saying is that now that there is Jane The Virgin, the television landscape is full and we no longer have a need for a world with Latinos on our screens?

SlapTFP has one word for you – Univision. (Look it up)

Did anyone else get a little ‘privilege’ in their eye, or was that just The Fairy Princess?

58251898b6b8b5f4471580313c43e76aAnd now you are going to ‘come at me’ because my eyes are a slightly different shape, oh Miss Andreeva?

I don’t think so.

giphyFirst of all, the logic here is faulty – Networks are not casting more creatively because Cookie Lyon needs a friend with a fabulous hat and four inch heels on another network – they are casting that way because the world in which we live, in America, is colorful. As TFP has often said, and which is backed by actual numbers – Diversity equals Dollars!

Producers are not sitting around trying to think “Hey, how can I cast a show that totally will not find an audience and will waste everyone’s time and money” – No, they are not. They are trying to make shows that sell. Television is the one place in the world where ‘trickle down’ theory works (perhaps that is where President Regan got it, when he was President of SAG)  does not work economically, but in showbiz? Yeah, it works.

its-all-about-the-money-4In the long history of Television in America, they have always, always done the exact same thing – they look at what is on television that is finding an audience, pulling in revenue, and entertaining people and then they toddle along and try to do that same thing. That #TGIT is making everyone wake up to the reality that there are strong Actresses of Color who can anchor a show and keep viewers coming back week after week with smart, snappy dialogue, and complex plot lines is a great thing. That this investment in opening minds is the brainchild, essentially, of one woman, Shonda Rhimes, is staggering.

The fact that Tina Fey and Mindy Kaling have two of the most successful and talked about comedies available to watch is mind blowing. That Maurissa Tancharoen Whedon has successfully rewritten the narrative of Agents of S.H.I.E.L.D. to include an expanded possibility of what it means to be seen as a Hero in America, is nothing short of amazing. The Gender Gap that was so prevalent behind the camera in the creation of shows is not fixed, not by a LONG shot, but the successes of it cannot be argued with it. Nanatchka Khan has created a number one network comedy with Fresh Off The Boat – have any of their shows ‘suffered’ by waving the banner of diversity?

No.

tumblr_mn7lilBTsO1sqykc2o4_r4_250Looking, Orange Is The New Black, Devious Maids all yes, meet a ‘demographic’ audience, but they surpass what is expected – because when there are multiple actors who can pull from varying life experiences, it gives the writers that much more to work with.

One could even argue that these shows are not waving any banner at all – they just cast wider, they looked further than the ‘status quo’ – they looked to the world.

raceethpewGrey’s Anatomy was successful,

imagesso now we have The Night Shift.

the_night_shift_s2_mainelementNCIS was successful, so now we have one in every damn city except Poughkeepsie…and that is probably coming if Mark Harmon gets a summer house there. The joy in this for ethnic performers is that they can finally have a Pilot Season flush with auditions just like less pigmented friends!

‘You booked a Pilot? Hey wait, ME TOO! – HIGH FIVE!”

Cat-High-Five Actors do not live in a bubble of privilege unless they are a child of celebrities – Actors are out there, seeing plays, supporting friends, making connections – and they get, sorry ‘we’ get, that the world is made up of supremely talented people – people who through career longevity and talent should get that  moment of peace that being on a television show will give them artistically, which will have a ripple effect to their career, and that skin color has nothing to do with talent.

giphy-2Color has only do to with opportunity and perception in Hollywood – and that is a truth most will not admit, but it is a truth nonetheless.

tumblr_n5kp9zyT2T1rosb88o1_250If you are an API Woman you will get called in for a hooker at least once in your career, to a cop show, because they are going to do the classic variant of ‘a brothel in Chinatown’ story that shows up on EVERY cop show. If you are Latino, you are going to be called for a Gang Member at some point in your career – why? Because that same Cop Show has a Latino Gang episode.

ohh-snap-7400_previewYou may meet the API Hooker in the hallway of the audition and you kind of give each other a ‘Hey, what’s up” – because you both know why you are there – you are there to up the ‘Diversity Numbers’ for that particular show so that the Producers do not have to have ‘a conversation’ about Diversity on their show set in a major city with no Ethnic Main characters, even though the city in which the show is set, has large ethnic populations.

Or that is the way it has been.

However it seems that THIS pilot season…things are changing!

VeTSjsRThere is a clause in the SAG Contract that the Producers sign about this very issue – it is worded that the Producers, in getting the permission from SAG/AFTRA to produce this show, that THEY agree to ‘reflect the American scene’, which is what they are finally doing!

Casting is an art – if it is done well, as most Directors can tell you, they do not have to do much ‘heavy lifting’ at all. Some of the most successful shows on television right now – ABC’s Fresh Off The Boat, Fox’s Empire, CBS’s Elementary demonstrate that bringing Casts together of different experiences and backgrounds enhances the ability to tell compelling stories. Also, according to Scientific American, Diversity makes you smarter!

But you do not have to take TFP’s word for it, we can look at what people ON TV RIGHT NOW IN HIT SHOWS are saying:

For example, Constance Wu, when interviewed by TIME said:

It’s important to see Asians in those leading roles because it changes what I’m calling the anglo-heteronormative status of TV. [Imagine] that a producer says, “Guy and girl meet-cute at an ice skating rink. They fall in love, but then she has to move away.” If you say that to anyone, including an Asian person, you picture a white person because that’s what’s become normative to us.

She seems pretty smart…and if you do not think so, may TFP ask you when the last time you used the word “Anglo-heteronormative’?

Duh_duh_duhThere are of course, shows that exist ‘within a world’ that is, for all intents and purposes, Caucasian – AMC’s MAD MEN for example, but MAD MEN is wrestling with specific time period and the inclusion of women in the workplace and the change in America at the time. There are many, MANY more shows that exist within a Caucasian world than there are within the America we all actually live in – so to write

“ABC’s medical drama pilot The Advocate was based on the story of former CAA agent Byrdie Lifson-Pompan and Dr. Valerie Ulene, who launched a healthcare consulting company. While the real-life inspiration for the two central character are both Caucasian, the show cast them with one white actress, Kim Raver, and one black, Joy Bryant’

is ridiculous.

Oh, it’s not?

You want to get into a discussion about WHITEWASHING ETHNIC PEOPLE OUT OF ROLES BY HOLLYWOOD NOW

MS. ANDREEVA?

noperaja-1Where to begin? Where to begin?

You see, not even John Wayne can pull off Yellowface

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You want TFP to keep going or should we just let the Spirit of Bruce Lee smack you in the head, Ms. Andreeva?

giphyTFP is gonna lay some truth down now, Ms. Adreeva, so get ready:

There is NO WAY that out of the HUNDREDS of pilots being shot, the casting of a small percentage of minority actors IN ANY WAY imperiles the status quo of white privilege in this country we know as America. Casting some people of color and gender and sexual preference on one or two televisions pilots that may or may not be picked up for broadcast will IN NO WAY harm Caucasian people in this country looking to turn on the television and see reflections of themselves.

tumblr_m8s5mtj1381qffn6mo1_500You know why the pendulum will never, ever swing ‘too far‘ to prevent Caucasians from seeing themselves on television?

Because television is run by Caucasian people!

See all the Presidents…look close, can ya see what TFP is talking about?

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They don’t look like they are leaving anytime soon, now, do they?

(Also, Gentlemen and Lady, thank you, sincerely, for shaking up your Pilot seasons and diversifying, congratulations on that)

Which you should know, because DEADLINE actually published the UCLA Diversity Report ! A report that shows among other things:

1. Minority actors are underrepresented in film by a percentage of 3:1

2. Women are underrepresented  in lead roles in a film by a factor of 2:1

3. More than 1/2 of the films had 10% OR LESS casting of Minority Actors

4. Minorities amongst Film Directors are underrepresented 3:1

5. Minorities are underrepresented among Writers by 5:1

6. In Television, Minorities in LEAD Roles are underrepresented 7:1

7. In Television, Minorities are, 7:1 more likely to be leads on REALITY SHOWS than Network shows (thanks Top Chef)

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8. Minorities are underrepresented by a factor of 9:1 in creating Broadcast Comedies and Dramas

9. Women are underrepresented by a factor of 2:1 in creating Broadcast Comedies and Dramas, and are ‘less likely’ to be creators on Cable

10. Dominant Talent Agencies contribute little to Broadcast Television Diversity

So you can relax, Ms. Andreeva…’Mount HollywoodLand”  is for the most part safe from these pesky hordes of creative people whose skin shade is not alabaster, who have feelings and talent and ambition and the will to use them – for the most part….in the grander scale of things…white television is safe, and will be for a long, long time.

TFP is sure you will sleep better at night, on your lvory pillow, wrapped in a blanket of Caucasian condescension within the fortress of solitude that the internet firewalls provide, so you do not have to interact with the peasants and dream on, Ms. Andreeva….

photoWe‘ of the minorities are not ‘coming for your TV“, we would just like to expand the meaning of what it means to see and be seen, and ‘we’ would like to book a pilot because for an Actor, it can be life changing. It can provide a bit of financial security, health insurance, and opportunity to continue on in a life of creation.

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It has nothing to do with which way your pendulum swings….we have a broad definition of inclusiveness, in that we, of the minorities (which include people of age, sexual preference, color, women, differing physical abilities) would like to be seen in this country, and television is the best way to do that.

tumblr_inline_n3seih9SZf1rtr2xyFor stirring up racial panic in the midst of what looks to be a good Pilot season for Minorities, TFP fines you 35 whacks of the wand – you invoked racial fear to write a column that had no statistics to back it up, just a general sense of warning to show runners not to get ‘carried away’ with this pesky “People of Color” thing – and that is wrong. Flat out wrong. TFP read your article and was not going to say anything, because it was so poorly substantiated, but then she thought “what if someone actually takes you seriously?” and then she thought

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Not only is it wrong, it is disheartening when there is good news, to have someone who has a national platform to discuss these issues, choose to come down to “Boogie Man’ threats that get in the way of progress.

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You should be ashamed of yourself.

TFP is thrilled that Pilot Season is getting with the program of inclusion – it makes us all better – what you did, was to try and make it worse.

Also, KISS MY FAN TAN FANNIE!

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The Fairy Princess does not often write on this blog about her Family – probably because they do not share her devotion to Musical Theater, and let’s face it – that is not so different from the general population, no matter how many movie musicals Meryl Streep is going to appear in.

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On a day to day basis, her Family is not the subject of her blog, nor do they read it. Her family will cheerfully tell you that they have no idea what TFP writes about but it is ‘nice’ she is expressing herself.

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However, TFP‘s sister, Shauna Quill and the organization she runs, The New York Youth Symphonyhas been in the news this last week, and frankly, TFP is getting tired of reading rants about ‘creative freedom‘ on the social media, so she is going to share her own opinion on this situation.

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Please…

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The Fairy Princess does not often write on this blog about her Family – probably because they do not share her devotion to Musical Theater, and let’s face it – that is not so different from the general population, no matter how many movie musicals Meryl Streep is going to appear in.

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On a day to day basis, her Family is not the subject of her blog, nor do they read it. Her family will cheerfully tell you that they have no idea what TFP writes about but it is ‘nice’ she is expressing herself.

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However, TFP‘s sister, Shauna Quill and the organization she runs, The New York Youth Symphony has been in the news this last week, and frankly, TFP is getting tired of reading rants about ‘creative freedom‘ on the social media, so she is going to share her own opinion on this situation.

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Please note – the NYYS does not know that TFP is going to write this piece, they would not endorse it even if they did know – which, again, they do NOT, and they probably would be horrified by the Drag Queen Memes if they did – but NO ONE IS TAKING AWAY TFP’S DRAG QUEENS!

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So…this is what happened this last week – my Sister and her Staff were informed that a Composer who had won a contest (by winning that contest he won the opportunity to have the NYYS premiere his work) by the name of  Jonas Tarm had inserted into his piece, wait for it – the Nazi Anthem.

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Did TFP just say “Nazi Anthem“?

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Why yes, she did.

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Now TFP has never heard the Horst Wessel Lied aka Nazi Anthem, and many of her generation have not…and in fact, it has been banned in other countries, but anyway, here it is with subtitles.

 

TFP does not know which part of the Horst Wessel Lied spoke most to Mr. Tarm because she has not heard his piece…maybe it was the the part where they sing “Millions are looking on the swastika full of hope“, or that bit about “Soon Hitler’s banners will fly all over the streets”?

We may never know.

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The artistic process is difficult to understand in some individuals.

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Perhaps he did try and think of something else, but as we all know -it is hard, once a melody gets into ones head, to change it to something else.

And then there are the times, you know, when a song has a meaning attached to it for you, and then, well….then you can NEVER get it out of your head, right? No matter how hard you try.

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Like if, for example, you had heard a song over and over again when you were being persecuted and watching your family being slaughtered around you….like someone who survived The Holocaust?

German Jewish Children in a Concentration Camp

German Jewish Children in a Concentration Camp

It might be a really hard to get a song like that out of your head.

In fact, the Horst Wessel song itself was used as part of what is called “Sonic Torture” – playing music over and over again to break the spirit of those who were in concentration camps.

A description of the "Sonic Torture" of the Prisoners at the Dachau Concentration Camp from the website "Music and the Holocaust'

A description of the “Sonic Torture” of the Prisoners at the Dachau Concentration Camp from the website “Music and the Holocaust’

Thus one can imagine the instant recognition that an unsuspecting survivor of the Holocaust might have had when seated to enjoy a Symphony Concert… given by children….upon hearing that melody played.

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The fact that that survivor did not jump up and run instantly up to the Conductor and start beating him with a heavy object is a lesson in dignity we can all learn from. Instead, this person waited until the concert had ended, and wrote a letter to the New York Youth Symphony informing them that they were playing the Nazi Anthem.

Which, TFP is fairly certain, made those running the NYYS resemble a very famous painting…

The Scream by Edvard Munch

The Scream by Edvard Munch

Because you see, NYYS had not been informed by Mr. Tarm that he was referencing that piece in his work. Nor did he tell them that not only was he including the Nazi Athem, he was also throwing in the anthem of the U.S.S.R.!

In fact, he gave them no program notes, no explanations, just this quote from famed Anti-Semite, Poet T.S. Elliott:

Between the conception

And the creation

Between the emotion

And the response

Falls the shadow

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Not only did he insert the Nazi Anthem, he hid the fact that this was a part of his composition when he was initially given a chance to share it with the Orchestra, who range in age from 12-22.

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TFP only knows this because she did an interweb search on Mr. Tarm and she found this post written by a student of the orchestra.

For those who do not want to click the link, here is an excerpt from that Reddit post:

We started rehearsing Tarm’s piece a few months ago. A few weeks after we started, he showed up to a rehearsal. Our conductor asked Tarm to introduce the piece; this is a rather standard procedure. Past composers, such as Cindy Giron and Conrad Winslow (a wonderful composer!), have discussed their pieces with the orchestra. Sometimes composers say much; other times, little.

Tarm, given this opportunity, chose the latter. He told us that the piece could be about absolutely anything, as long as it was meaningful to us. Pokemon and eastern philosophy were then cited as examples.

Please wrap your mind around this: the work cited music from the USSR and Nazis, music that foreshadowed the deaths of millions… yet he cited POKEMON?!?!? In retrospect, this was absolutely absurd of Tarm. How deeply irresponsible of him to fail to provide any context.

That was the entirety of what we heard from Tarm on the content of his piece. We continued working (quite hard, I might add) on Tarm’s piece. Many of us began to love the piece – it’s very well written. My personal favorite part was the eerie bassoon solo, heard over a cello solo similar to the opening of the Lutoskawski concerto. As it would turn out, the bassoon solo quoted Horst-Wessel.

The bottom line is that Tarm was not candid with us regarding the contents of the piece. Sure, he might claim that the music should speak for itself, but not when using the Horst Wessel anthem! No one in the orchestra (or administration, for that matter) advocates censorship… but young musicians should not be forced to play a Nazi anthem without prior explanation. Forget explanation – Tarm should have at least acknowledged the citation from the very start!

POKEMON?

 

(Now, interestingly enough, this vocalist is a friend of TFP‘s, his name is Jason Paige and he is incredibly talented, and, in point of fact, Jewish. Thus TFP is fairly certain that he would be a bit put out to think that his wonderful vocals on a video game would be used as an example of what to think of when the Nazi Anthem was being played by 12 -22 year olds, just making a guess.)

Back to the New York Youth Symphony – now, they are a pretty prestigious organization and they take great pride in commissioning works by young composers. They have commissioned 137 works by young composers and they have never had an issue like this, because, as that student pointed out (and TFP suggests you go to that Redditt site and read the comments back and forth because this student is pretty damn brilliant) most of the composers come and talk to the kids, and they also provide program notes.

We, in the biz like to call that ‘context’.

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Because just about any kind of artistic work can be done, provided you give the audience and the players information that they need to make an informed decision about what is going to happen during a piece that they paid for.

Whips and Chains? Making millions at the box office because it is a ‘love story’.  That’s America – we can wrap our heads around just about anything as long as we are given context.

SHUT THE FRONT DOOR!

Look, he had two terms…just sayin’

Now, upon receipt of the letter sent by the Holocaust Survivor, NYYS did not immediately cancel his Carnegie Hall premiere. They did not. They have worked with composers and artists for a long time, and they knew, as Educators, that things that some find distasteful can be ‘learning moments’, and they have always stood by their Artists before, what they wanted was clarity and an explanation.

Mr. Tarm was called by different staff members of the NYYS and he repeatedly refused to give context.

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He did not deny that he had lifted music from another composer without giving credit.  He just said that the work spoke for itself.

The work that was not all his work that he submitted as his work? Yeah, that work.

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What is that ‘thing’ when you claim to write something that someone else has written and you do not cite them?

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It’s that word that begins with a “P” and that people can be sued for?

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That thing you can totally get kicked out of Oprah’s book club for?

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In the opinion of The Fairy Princess, and this is truly the opinion of The Fairy Princess, no employee, student or fan of NYYS has said this to her, but in her opinion?

In her opinion, as someone who educates and teaches on the University level (oh yeah, TFP doesn’t just blog) if you do not cite your sources, and you take credit for another person’s work – it’s plagiarism.

“Plagiarism is the “wrongful appropriation” and “stealing and publication” of another author‘s “language, thoughts, ideas, or expressions” and the representation of them as one’s own original work.”

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TFP does not give merit to arguments about “artistic freedom’ when it is based on a lie. The lie being that this was an original composition. Music – classical and pop – is littered with ‘odes’ and ‘variations‘, ‘tributes‘ and ‘inspired by‘s ”  – and as long as it is cited, everyone is good. Citing gives context.

Not citing? Deliberately refusing to provide background on a piece that you are expecting 12 year old musicians to play at Carnegie Hall? That is not ‘artistic license’, that is someone trying to ‘pull one over’ on the NYYS, in TFP‘s opinion.

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Or are we forgetting that Robin Thicke is in court over this very same issue? Did not Sam Smith just agree to hand over royalties to Tom Petty over this exact same situation? Yeah, he did. Because musicians are not supposed to steal from one another.

In TFP‘s opinion, NYYS could not present a work at Carnegie Hall that had elements of plagiarism, it seems that simple to her.

In TFP‘s opinion, she does not know what the big issue is, because, Mr. Tarm did win a world premiere from the New York Youth Symphony, they just chose not to play it at Carnegie Hall. It had already been premiered.

Just because one commissions a work does not mean it has to be played – that is like saying just because one purchases a gym membership, one is going to exercise. It’s like buying a painting and then deciding it does not work with your decor, so you put it in the closet. It is like saying just because one pays for a dinner, one is entitled to have sex with the person who shared the meal.

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TFP does not see that Mr. Tarm’s civil rights have been violated – nor does she believe his Artistic ability to express himself has been tampered with – if it had, he would not have been able to give this interview, or to talk to The Wall St. Journal, or to The New York Times.

If anything, the internet is ‘abuzz’ with Jonas Tarm, which makes TFP wonder if that was the actual point of including the Nazi and U.S.S.R. anthems in his piece?

Because had anyone heard of him prior to this controversy?

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Look, this is an organization that is run by TFP‘s Sister, and it would be silly not to acknowledge that  – but the issue for TFP is the stealing..and the lying. And the lying that you stole. Stealing someone else’s composition, even for 45 seconds, is not acceptable.

All he had to do was give program notes and provide context – that was it.

But he would not do that, he would prefer that 12+ year old children stand on stage, on one of New York City’s premiere stages, and smile and bow after unknowingly playing the Nazi Anthem – and that is, as an Educator, and as a Parent, to TFP, completely unacceptable.

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The people in this scholarship orchestra are kids under the age of 23, who are trying to do exciting things, premiering works that no one has heard before -they are trying to live their lives with classical music as a large part of it and Mr. Tarm set them up for ridicule and censorship by his actions.

Would they have played it if they had had more information about his intentions and the source material? Very likely – but don’t take TFP’s word for it:

NYYS Statement on Removal of Commissioned Orchestral Work

The New York Youth Symphony’s decision to remove a commissioned work from Sunday’s performance was not a decision taken lightly. It was a highly unusual step for us—one which was taken thoughtfully, but firmly, as soon as we learned the piece incorporated significant portions of music written by others that we determined were problematic for a student orchestra such as ours to be asked to perform without prior knowledge or discussion.

The first time the composer revealed the source of his music was on March 2, in response to our inquiry. We were told that of the three sources that he used, one is the Horst-Wessel-Lied, the anthem of the Nazi Party from 1930-1945, which is illegal in Germany and Austria. When asked to explain the context and meaning of the piece, which would justify his use of this source, he refused.

This was his obligation to our orchestra as a commissioned artist and particularly important given the fact he was working with students, ages 12-22. Had the composer revealed the sources of his piece and the context under which they were used upon submission of the final commission in September 2014, the piece and the notes could have served as an important teaching moment for our students.  However, without this information, and given the lack of transparency and lack of parental consent to engage with this music, we could not continue to feature his work on the program.

Again, if the composer had been forthright with us from the start, this situation would not have transpired. He was chosen last spring for the commission from among a strong group of candidates by an impartial panel of seven composers and music educators. The new piece he created in response to receiving the commission received its first hearing when it was given to the orchestra to rehearse in December.

We believe deeply in a free creative process. But along with freedom comes responsibility, even more so when young people are involved.   We continue to be committed to champion new young composers through our ground-breaking First Music composition program, which has commissioned over 137 composers since 1984. We are proud that First Music commission winners have been recognized by the Rome Prize, the Pulitzer Prize, and Guggenheim Fellowship.

Our mission at the NYYS is to educate and inspire young musicians, composers, and conductors. We also encourage creativity within a culture of mutual respect and honesty. This situation, while unfortunate in so many ways, has taught us to remain true to our values as we serve the best interests of all our students.

All of us at the NYYS are deeply disappointed that this decision was necessary knowing how much time and effort the students put into preparing the piece for performance. We thank them for their wonderful contributions to making the NYYS such a special place, and we appreciate the ongoing interest in the success of our performers and the NYYS from all of our alumni, supporters, and the wider music community.

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Finally, TFP wants to address some issues she had seen raised on Social Media that she has opinions about:

1. It does not matter that members and staff of NYYS did not know of this work prior to this incident, because Mr. Tarm knew all along. His advisor at New England Conservatory had cautioned him against using it – he knew what he was doing, and he made sure NYYS did not. Faulting someone for not knowing a piece of music created before they were born, that is never played in repertoire in the United States is absurd.

2. The NYYS did not ‘cave’ or ‘fold’ to pressure – there was no pressure. There were no outside groups or community activists lobbying for this piece to be removed. They made a decision as Educators, they made a decision as people who had commissioned work to not play the work.

3. This was not an instant decision, nor was it made by one person.

4. No famous composer would be ‘rolling in his grave’ over this incident, because if a famous composer’s music was stolen and they were not credited, they would be pissed off – not angry on the behalf of the one who swiped the music.

5. Mr. Tarm has not suffered by this, he is now famous.

Congratulations, Mr. Tarm, you have entered the CHEERS Bar of young classical composers.

Honestly, do any of you think that this guy…

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did not know exactly what he was doing?

POKEMON?

On the 70th Anniversary of the release of the prisoners from Auchwitz someone lies to get the Nazi Anthem played at Carnegie Hall?

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Thought you could pull one over on the kids and you got outed by a Senior Citizen?

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Hilarious….

TFP, out.