Archives for posts with tag: King and I

The Fairy Princess on a daily basis gets frustrated with young women in the public eye.

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She says that not because she is angry or unhappy about them being in the public eye, but because so often, they ones that wound up in the public eye at a young age have missed some supplemental education because value is placed on other things – things like singing and dancing and acting.

Don’t go crazy, it is TFP’s opinion based on observation.

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While TFP knows that singing, dancing, and acting does NOT prevent one from ‘thinking the big thinks‘ – if one does not realize the value of them, those ‘big thinks‘, then one can so easily laugh them off – the collective value of the big thinks.

Case in point – FEMINISM

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Now, TFP is of the opinion that every woman in the United States today is a feminist.

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This is a loaded statement – and people will ‘come’ for TFP, but WHY is she saying that?

TFP says that every woman in the United States and a large portion of Western Countries are Feminists because they stand, we stand, on the backs of the women that came before. We, the Women of the World, are, as is said in The Joy Luck Club – like ‘steps through time” – one after the other. We, the Women of the United States, are afforded freedoms and choices because of Feminist principles and activists, who fought for us in the past.

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With each age, women strive to come forward a bit more. Yes, we continually have to ‘prove’ ourselves – that we are smart, that we are useful, that we are good mothers, that we are ‘just as capable‘….yes, it is exhausting. This is not new, but it is a constant battle that we wage, secure in the knowledge that at least some of it, has backing in legislation.

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Women today have choices now that their Grandmothers could not imagine. Some women have choices that, given where their Mother came from and how she grew up, that their MOTHER could not imagine – and that is AWESOME!

DANCE PARTY!

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Which is why TFP was so disheartened to read this quote in the New York Times by Vanessa Hudgens,

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who will be starring in the Broadway Revival of GIGI.

Regarding her own feminism, “I used to be on the fence about it, “she said “Just because I feel like it gets to a certain place where it almost has the reverse effect, where it is so overpowering and so aggressive that it’s like rather than just standing up for female pride and female rights, it becomes, like, “I am the man’.

Out came the giggle, like a lace fan. “But now I feel like there’s this new wave of feminists coming up that are truly about equal rights for women. I mean, Beyonce is, like, killing the game, and I love her.”

You have been ON THE FENCE about Feminism because you think it is aggressive and makes you like a man?

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ON THE FENCE?

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You mean that fence that they used to use to keep women from voting, keeping their wages, deciding how many children to have, deciding to pursue education, and deciding to have the ability to start a business that was not based solely on selling their vagina to the highest bidder?

THAT is the fence you were on, Miss Vanessa?

No, Oprah does not understand...NO.

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Not good enough.

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Look, TFP rarely responds to young actresses speaking about Feminism – Cayley Cuoco gave a doozy of a statement when she told REDBOOK Magazine (when asked was she a Feminist)

“Is it bad if I say no? ….I cook for Ryan five nights a week and it makes me feel like a housewife; I love that”

TFP thought….

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Ms. Cuoco later had to apologize because she is a multi-millionaire who has made her living in one of the most color biased and gender biased businesses in the world, a world she resides in because of an uber amount of privilege and timing…and she made the rounds spouting that age old Publicist ‘cure-all’  – ‘My words were taken out of context.’

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No, they weren’t. Vanessa’s were not either. They were not taken out of context because, as is quite clear – because you have to know what the context IS, to be taken out of it. These young women of privilege and position have NO IDEA what Feminism is, and what it has given them, and so…they are talking out of their ass.

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Yes, TFP said “talking out of their ass’ er…’asses’.

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While TFP generally ignores things that silly women say – ONLY BECAUSE SHE KNOWS HOW MANY BRILLIANT AND SAVVY WOMEN ARE OUT THERE IN THE WORLD – she cannot ignore it when a person of Mixed race says them.

So Vanessa,

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under the bus you go, because Hapas are not allowed to spout this idiocy.

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There are SO FEW of us out there that EVERY time one of us gets an opportunity they have to, by default, be a role model.

Yes, it is exhausting. Yes, it is a pain in the ass. But what is so tragic is that 11 year old Hudson Yang is paying more attention to his words, as one of the stars of ABC’s FRESH OFF THE BOAT,

than you are, as one of the FIRST Hapas to be headlining a Broadway show at 26 years old!

You are a GROWN ASS WOMAN….and you should know better!

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“We”, the Hapas of Broadway have the leads in ALADDIN, and YOU – that’s it.

If Nicole Scherzinger comes in with CATS, that will be FOUR.

Now and in the foreseeable future....

Now and in the foreseeable future….

If we were to add the supporting roles of those in King & I, it would bring it up to SEVEN. (Much respect to Ruthie Ann Miles, Conrad Ricamora, and Ashley Park).

SIX lead roles played by people of mixed Asian descent out of 32 shows on Broadway. With a possible 7th coming in.

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So no, Miss Vanessa…when we are only dealing with one out of six, one who has legions of teenage female fans, you do not get a pass when you give a quote that posits only BEYONCE as an ‘acceptable’ Feminist.

BEYONCE!

tumblr_mduldxRPA61qktr4to1_400Beyonce has a great gift with a ‘lick’ and is an amazing performer, but are her songs feminist thought inspiring?

If Ya Liked It then ya Should’a Put a Ring on it?

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Beyonce lives as a Feminist – she owns a business, she has her own money, she gives to charity, she is a mother, she votes , she expresses her opinions and is not mocked for them – all those things are benefits of Feminism. Yes, she lives her life as a Feminist, as all women in this country do –  but her songs-  they usually revolve around a man. She ‘owns’ her own sexuality, and that is a component of Feminism of course, but TFP does not really think of Crazy In Love as a rallying cry for Feminism.

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No tea, no shade, no pink lemonade – it is what it is.

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TFP likes Beyonce and her music – but looking for lessons of Feminism from the lyrics?

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Whitney Houston, now? Madonna? Lady Gaga? Pink? Those would all be yes.

TFP is now going to tell  you why, YES VANESSA…you ARE a Feminist – in case you are asked again…

1. You get to vote

in 1920 – a mere 95 years ago, via the 19th Amendment, women were allowed to vote in elections in the United States

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2. You are not the property of your Father as an unmarried woman (Women’s History In America)

“During the early history of the United States, a man virtually owned his wife and children as he did his material possessions. If a poor man chose to send his children to the poorhouse, (to repay his debts) the mother was legally defenseless to object. …Equity law had a liberalizing effect upon the rights of women in the United States. For instance, a woman could sue her husband. Mississippi in 1839, followed by New York in  1848 and Massachusetts in 1854, passed laws allowing married women to own property separate from their husbands. In divorce law, however, the divorced husband kept legal control of both children and property.”

As a young woman, not only would you be the ‘property’ of your Father, you would have to turn all monies earned, if you were ‘allowed’ to work by him, you would turn it all over TO him, because your money was NOT your own.

And if your Dad was Tom Cruise…it would have been…..

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3.  You are not the property, should you choose to marry, of your Husband – this was  ‘coverture”.

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Under coverture, you would turn over any and all property to your Husband as soon as you were married – you would have no say in it’s administration or disposal, and had no legal repercussions if he mishandled the funds. Likewise in the case of a divorce, the courts would favor dispersal to the husband with a small ‘jointure’ perhaps given to the wife at the dissolution of the marriage. Maybe.

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You may be familiar with this as the basic plot of DOWNTOWN ABBEY – remember? The Earl has mishandled the funds his wife brought to the marriage which saved Downtown, but cannot be passed on to Lady Mary because….you guessed it – coverture!

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4. You can have a ‘line of credit’ aka “a credit card’ in your own name.

That law happened in 1974 – and it was called the Equal Credit Opportunity Act. Yes, Vanessa – 1974 was when women in America could get their own credit card! Do YOU have a credit card? Then you should thank those Feminists, male and female, who worked together before you were born, to make sure you could drop into any store you like and buy whatever you want.

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5. If you do get married, and you suffer spousal rape, it is now a crime. This law was passed in 1993. You may even have been born, Miss Vanessa – prior to that, if your spouse was in the mood and you weren’t, too bad.

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6. You can run in the Boston Marathon…something that women could not do until 1972.

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7. You have access to birth control without being subject to ‘decency laws’ or risk being thrown into jail for lewdness.

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8. You can get a divorce (if you chose to get married) without having to prove anyone was ‘at fault’.

Prior to 1967, it was rather hard to get a divorce in this country because one needed ‘grounds’. Like, for example, if the Husband was beating the wife all day and night, and he didn’t want her to be able to divorce him, he could (through attorneys and the law at the time) deny that there was a ‘reason’ for the marriage to dissolve. The wife could move out of course, but legally, he was still her husband.

However, it was shockingly easy for a Husband to put aside a wife, because grounds like ‘adultery’ can be given – even if none occurred, and the court in general, found ‘for’ the Husband. Because of course, who would want to live with a cheating wife?

No Fault Divorce has many for and against – even Feminists are divided, however the fact is, if a woman or man is ‘trapped’ within an untenable situation and they want to walk away – they can.

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FYI, should you be getting married any time soon whilst on Broadway, it is worth noting that New York State was the last state to ratify No Fault Divorce – in 2010.

9. You do not have to wear a religious or state sanctioned outfit that inhibits your freedom of movement – you have a right to wear whatever you want to wear. You can thank Feminists of the 1960‘s for modern inventions like the miniskirt and so forth.

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10. You have the right to star on Broadway in a show about a young girl of 14 who is sold, by her Great Aunts, to an older man in his at least, late 30’s, who is then sooooo overcome by her youth and zest that he ACTUALLY MARRIES HER!

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Instead of, as was the custom in the era in which the show is set, signing a contract with her Family as to how many dresses, spending money, carriages, what kind of house she was to have, what the care and feeding of any children resulting from their sexual congress would be, and which gave HIM the ability to terminate, at any time, his support of a woman who was for all intents and purposes ‘ruined’ in the eyes of society because she was no longer a virgin. Also in the contract would likely be how many times per week she was to expect to receive his ‘attentions’, and perhaps even the times with which she must wait up till, before she could make the determination that he was not coming, so she could go to bed.

After her Swain was done with her, and the contract was terminated,  she would have to find another ‘protector’, as long as she still had her looks.  If she was lucky, she would receive a ‘settlement’ with which she could invest, if not perhaps she would be able to get enough ‘gifts’ that she would then be able to sell as she aged and became less desirable to wealthy men. This would continue until she succumbed perhaps, to one of a host of venereal diseases while all her former lovers were married to ‘respectable’ women and had long and productive lives. She would be left in ‘genteel’ or abject poverty till her death.

That is what happened to Courtesans – if you do not believe, TFP, go and ask Fantine, she is a few theaters down from you.

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That this current version of GIGI is being produced by women who have updated and changed the ages and have made this Gigi more palatable, (according to your Director, Eric Schaeffer “We had to get the perv factor out of it“), to modern tastes… is a result of Feminism.

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Because….de facto – you have Women in power positions on this production, addressing concerns modern women might have with the show – which is the direct result of people laying down in marches and protests, burning their undergarments, going on hunger strikes, marching, legislating, and in general, trying to assure that you, as a 26 year old woman of today, would never have to go through what women in the past have gone through.

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Do the freedoms given to you by women of the past alleviate your concerns that people might think of you as angry or aggressive?

Are there any that you would like to give back?

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The reason that we are all able to stand up for ourselves and decide for ourselves is because those are rights that were won before we even got here on this planet, by Feminists, also call Suffragettes, also called Interfering Women, also a slew of derogatory names as well as ‘Too smart for their own damn good”.  Not all of them were women, either.

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The women of the past have paid it forward to us, and now it is our job to continue to encourage young women to embrace being Feminists, to embrace thinking, to embrace striving, not to scare them by denying what it actually is – which is equality in all things. It is striving for equality – struggles that still go on today.

If one is going to be in a show about a Prostitute…

(which, don’t get TFP wrong, Musical Theater LOVES us some Prostitutes, they get ALL the best songs!)

….who is fighting for her right to decide her own future – then does it not reason that the star of that show should EMBRACE FULLY AND COMPLETELY THE NOTION OF FEMINISM AS IT STANDS TODAY?

quote-people-call-me-a-feminist-whenever-i-express-sentiments-that-differentiate-me-from-a-doormat-or-a-rebecca-west-196326IS THAT NOT WHAT THIS ‘NEW’ VERSION  OF GIGI IS ABOUT ACCORDING TO HEIDI THOMAS, the writer?

Women making their own choices?

You do know that the French Monks who invented Champagne by accident were actually not thinking of Happy Hookers and their Swains when they invented the bubbly beverage, right? Lerner & Lowe just made that up?

Duh_duh_duhLook let’s not drag this on and on and on because here is the short list:

You are Feminist if you have ever begun, as a woman, a sentence with “Well, I think….”

You are a Feminist if you have ever stated, as a woman, “I don’t like that….”

You are a Feminist if you, as a woman, have expressed your option to not have sex with a man who requests it

You are a Feminist if you have, as a woman, encouraged a little girl to dream about her future, and dream big

Those are four VERY SIMPLE examples of how one can be a Feminist.

hAB0D6F77For equating Feminism with trying to be a man, and denying that you yourself are the recipient of the benefits of Feminism – TFP sentences you to 20 whacks with the wand, a wonderful Opening Night, and a reading of The Personal is Political by Carol Hanisch, which you should then talk about with the very brilliant Ms. Thomas with whom you work!

The next time someone asks you – and they will again, TFP would appreciate it, as a person of Mixed Asian descent and as a WOMAN if you would simply reply

“I would not be where I am today without Feminism. Next question.”

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Tell ’em Hillary!

The Fairy Princess likes change.

SCIENCE! IT WORKS!

SCIENCE! IT WORKS!

Although the current New York weather, aka The Great Blizzard of 2015, is potentially going to be a nightmare of frigid proportions

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TFP still enjoys change.

Also, she like s people who can hear about something, acknowledge that there is a problem, and change their mindset so that the problem can be solved. It does not even have to have a name this problem, but if you like, go ahead and name it…

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Nevermind, the problem TFP was concerned with already has a name, we call it “Yellowface”.

And, occasionally it looks like this:

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Or this:

Actor Lambert Wilson as The King of Siam in a French Production of King & I

Actor Lambert Wilson as The King of Siam in a French Production of King & I

Or this:

Jered McLenigan as Anthony - Photo by Mark Garvin

Jered McLenigan as Anthony – Photo by Mark Garvin

Seriously, TFP could post photo after photo of this kind of thing and what it is IS (for those not in the know), is a Caucasian Actor donning makeup and clothes to portray an Asian person, and in this day and age in 2015, it is not cool.

TFP honestly gets no joy in writing about this phenomenon again and again, it’s like riding a rocking horse so fast you get motion sickness, and no matter HOW many times you write about it and no matter how many people acknowledge that it seems in poor taste,  it happens again, and you are back on that damn rocking horse and you feel a bit like…well….

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Like no one is hearing you.

Such was the case when TFP wrote this post about a production of The King and I that was happening at Dallas Summer Musicals this summer, when they announced the casting of a Caucasian King.

TFP was pretty annoyed…images

She wrote her blog and said what she had to say, as she does from time to time, and quite a lot of people read it, thanks to the internet thingy and a very fired up Orville Mendoza

 AAPAC, (Asian American Performers Action Coalition) also wrote a letter.

And guess what?

We had a response from Mr. Michael Jenkins!

Mr. Michael Jenkins, head of Dallas Summer Musicals

Mr. Michael Jenkins, head of Dallas Summer Musicals

He read many of the emails sent about this issue, was no doubt told of the strenuous objections posted on the Facebook wall of his organization, and here was his response:

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TFP was delighted to hear that Dallas Summer Musicals will re-cast their King!

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And now, here is her ‘charge’ to the API denizens of the Dallas/Ft.Worth area – GO TO THIS SHOW AND…..

MAKE IT RAIN

MAKE IT RAIN

That’s right, TFP wants You, Asian America, to PROVE that you will stand with those who will represent you and your stories and BUY A TICKET.

Be prepared, you may have to PAY FULL PRICE!

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Yes, really.

Because what you are paying for, is a top notch production on a world class stage full of Asian Americans who will be singing and dancing their hearts out and they NEEDS TA GIT PAID!

Why?

Because APIs buying tickets and supporting the hiring of APIs onstage leads to great things for our community – more visibility.

Right now, we, the API Community are in a wonderful, starting off place, we have shows on television where we are represented – Karen David in GALAVANT, Reggie Lee in GRIMM, Maggie Q in STALKER, Daniel Dae Kim, Grace Park and Masi Oka in H50, Ming Na Wen and Chloe Bennet on AGENTS of S.H.I.E.L.D., Mindy Kaling in THE MINDY SHOW, Lucy Liu on ELEMENTARY…and we have these charming kids ready to premiere on Feb. 4 on ABC….

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But we are not on everything. We are not at the Oscars. We are not at the Golden Globes. We are not at The Tonys in a discernible way.  We are not at the big award shows on the podium winning awards, you know, the shows that ‘everyone’ watches and grows up dreaming about being on. There is a path to that, and we are still at the beginning.

Look, in order to get more of us on television, we have to ‘prove’ we are bankable, and that proof starts at the ground level. If we were to steal a phrase from a popular tv show, APIs in show business, we need you, the (much more sensible) APIs not in show business, we need you to be ‘our person’.

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If you are an Asian Pacific Islander living in the Dallas/Ft. Worth area, even if you do not like musicals, even if you have never seen a musical, if you can afford the ticket price, buy one and go – show them that Asians on the stage means Asian butts in the seats.

Because all the theater wants is a full house, and they do not care what color the people sitting in them are, as long as they are S.R.O. (Sold Right Out)

Yes, they made a misstep in the casting in the first place – but the show was not up yet, TFP and Orville Mendoza ‘caught’ it in time to make a difference, but we cannot do it alone. We have to have the support of the general API Community to show that our faces on the stage matter!

Yes, Mr. Jenkins may not be aware that Yul Brynner’s Russian heritage included Mongolian and that Lou Diamond Philips has Filipino heritage, which makes them both men OF Asian heritage, which means they were perfectly suited to play The King, yes – yes we know.

Yes, they have cast many APIs before in various shows, and really did not understand what the message they were sending was…(maybe they thought it was like Weight Watcher points and they get to spend them when they want to splurge or something, and btw, casting APIs is not like WW points at all)

BUT NOW THEY DO.

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LESSON LEARNED.

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MOVE ON.

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BUY A TICKET.

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Or you will have wasted all TFP’s time and outrage, and many others. We, the Actors, cannot do this alone. We cannot fight for all of ‘our’ representation by ourselves, we need your support!

BUY A TICKET.

Tickets

SELL IT OUT.

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CAN YOU DO IT?

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MAKE IT LOOK LIKE THIS:

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That is all.

Finally, Mr. Jenkins, Dallas Summer Musicals, and Glenn Casale, The Fairy Princess thanks you for taking the time and conversation amongst yourselves to make a change in your thinking. She appreciates the big step you took in acknowledging that a mistake was made, and she thanks you for taking the time and effort and financial cost to fix it.

She also wishes Mr. Jenkins a healthy recovery and a great summer season with which to enjoy it.

Christiane Noll and Paul Nakauchi as Anna & The King

Christiane Noll and Paul Nakauchi as Anna & The King JUST AS AN EXAMPLE

Remember, APIs of Texas, we can help you from afar with changing things, but you have to stand WITH us in this ‘battle’ and buy a ticket.

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TFP out.

The Fairy Princess was in a good mood. She totes was. After all we are, what…three days into the new annus (no, not what you are thinking, it’s Latin)  and she had obtained a much desired ticket to say farewell to the Freaks on what will be their last day as Freaks…aka closing performance of Sideshow on Broadway.

Farewell to the Freak Show...may it one day rise again

Farewell to the Freak Show…may it one day rise again

That’s right THREE ‘effin days into the New Year and guess what she was sent?

This ad for performers from Playbill.com for Dallas Summer Musicals.

Screenshot of an EPA Announcement for Casting of King and I at Dallas Summer Musicals

Screenshot of an EPA Announcement for Casting of King and I at Dallas Summer Musicals

Read that last line please….The King and Mrs. Anna are already cast.

Rachel York and Paul Schoeffler.

Here is Rachel York in a past performance with Mel Sagrado Maghuyop as The King…

At the Walnut Street Theater in Philadelphia

At the Walnut Street Theater in Philadelphia

This time, however, she is performing the role at Dallas Summer Musicals and they have chosen to go a different way entirely with The King….

Official Headshot of Paul Schoeffler

Official Headshot of Paul Schoeffler

Now, The Fairy Princess wants to be clear, again, that the Actor hired to portray The King of Siam (ahem) is not responsible for his own hiring. Mr. Schoeffler was hired on the basis of having worked several times previously with Director, Glenn Casale, and on his extensive resume which includes Broadway and Regional Theater. The Fairy Princess would also like the disclose that Mr. Schoeffler and she attended the same university, Carnegie Mellon, in Pittsburgh, and that she has no doubt that he is an abled and thrilling performer.

However, he is not of Asian heritage (and yes, TFP checked, because he originally hails from Canada and there is a large amount of Eurasians in Canada) – according to Mr. Schoeffler himself, he is not, in point of fact, Asian or Asian heritaged.

Nope.

Not at all.

Emailed him directly.

He graciously answered.

TFP thanks him for that. This is not his issue.

Now for the folks who should be…

Yeah, TFP picked a BIG one, and yeah, it's a SCHOOL BUS because it seems SOME have to go back there....

Yeah, TFP picked a BIG one, and yeah, it’s a SCHOOL BUS because it seems SOME have to go back there….

First, TFP wants you to meet the head of Dallas Summer Musicals…

Mr. Michael Jenkins, head of Dallas Summer Musicals

Mr. Michael Jenkins, head of Dallas Summer Musicals

This is Mr. Michael Jenkins, and he is ultimately responsible for “Bringing the Best of Broadway To Ft. Worth/Dallas” as the President and Managing Director.

Now, to be fair, the shows that DSM has lined up to come in, Kinky Boots, Cinderella, Dirty Dancing, and Pippin, are all shows that have diverse casts, so it is puzzling to TFP why he would approve of a King of Siam that is not of Asian descent.

Because you see, Mr. Jenkins, just as TFP is aware that this ‘famous’ Asian American hails from Texas…

Tila Tequila...raised in Houston, TX

Tila Tequila…raised in Houston, TX

The Fairy Princess is also aware that The King of Siam, who is supposedly portrayed in this musical, was an actual and real person, and he looked like this:

Phra Bat Somdet Phra Poramenthra Maha Mongkut Phra Chom Klao Chao Yu Hua (Thai: พระบาทสมเด็จพระปรเมนทรมหามงกุฎ พระจอมเกล้าเจ้าอยู่หัว), or Rama IV, known in English-speaking countries as King Mongkut (18 October 1804 – 1 October 1868), was the fourth monarch of Siam (Thailand) under the House of Chakri, ruling from 1851–1868. He was one of the most revered monarchs of the country.

Phra Bat Somdet Phra Poramenthra Maha Mongkut Phra Chom Klao Chao Yu Hua, or Rama IV, known in English-speaking countries as King Mongkut (18 October 1804 – 1 October 1868), was the fourth monarch of Siam (Thailand) under the House of Chakri, ruling from 1851–1868. He was one of the most revered monarchs of the country.

Then again, TFP knows quite a bit about Asian Americans who live their lives ‘out loud’ as it were, but even if she does not know an enormous amount about a particular individual, or where they come from, if she is curious, she can go to the world wide internet thingy and find out where they hail from…ah Siam is now Thailand, you say?

A Thai Dancer

A Thai Dancer

Whatever could it look like? Wherever could it be?

This is what a map of Thailand looks like:

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See where it is? Right next to China and India? Not outrageously far either from South Korea or Japan? So odds are, if there was a King of Siam, now Thailand to be had, they would likely resemble an Asian or Asian Americans.

Lincoln Center is gonna go with this guy, Ken Watanabe....on Broadway...just sayin'

Lincoln Center is gonna go with this guy, Ken Watanabe….on Broadway…just sayin’

Or, let me put it to you another way – because you are a Managing Director, and those folks have to deal with numbers…you have chosen to portray a story that deals with an Asian history. You want an audience. Did you know that according to the 2010 Census, Asian and Asian American population in Dallas (which is where your theater lives) has risen by 35% to around 120,000 in Dallas County?

120,000 is a lot of potential ticket buyers.

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Seems to The Fairy Princess that you would not want to insult the intelligence of those potential theater goers by showing them a Casting that they will, quite literally, not buy. As in, they will not purchase tickets.

Now, you may say, “that group does not purchase many tickets anyway’, but here is the thing – you have to cultivate an audience.

If you need tips, you could read this article outlining what Seema Sueko and the folks at The Pasadena Playhouse are doing, or you could read this article from TCG on Diversity and Inclusion or if you are unaware, ahem, take a look at this speech that TFP gave at the first LA Stage Day which deals with the issue of representation of Asian Americans on our stages:

 

You say right now you may not have many Asian American theater ticket buyers? Yet there is a pool of 120,000 that you could tap into? Come on Mr. Jenkins, You have to invite them by advertising to them. You have to show them that you are being sensitive, that you are embracing the new era of Broadway and the diversity of America, indeed, the diversity of Dallas County in particular.

But that is not what you did here. There is a name for what you did here, we call it “Yellowface”, and it looks, oftimes, like this:

You see, not even John Wayne can pull off Yellowface

You see, not even John Wayne can pull off Yellowface

Given the casting of an Non- Asian King in this musical, The Fairy Princess would venture to guess that you will not be getting much of the revenue from that 120,000 strong group.

In fact, they may go the other way entirely, and picket the production. Who knows? TFP has only ever been in the Dallas Airport, so she does not have her finger on the pulse there, but someone may decide that…

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and then you might get some static.

The Fairy Princess does not know if this blog will reach you, but she knows that emails will, so if any of her readers would like to share their thoughts on Diversity in Casting with Mr. Jenkins, he can be reached at mjenkins@dallassummermusicals.org – an email that is publicly listed on their website and the sharing of which is in no way a violation of personal privacy.

What was that, Heather?

under-the-bus-o

On to Mr. Casale…

Director Glenn Casale

Director Glenn Casale

Oh Sir, The Fairy Princess is perhaps most disappointed in you, in this scenario.

Perhaps it is because she attended a rather swanky party around the Holidays and met a (recently) TONY Nominated Director who shall remain nameless at this point, but who also directed The King and I regionally to great acclaim, and TFP and this Director spoke…at length. At friendly length. (Actually, that was particularly suprising to TFP given the strife she causes upon occasion)

Now, upon doing their research, that Director happened to come across this post by TFP, and between reading it, and the uproar over The Nightingale at La Jolla Playhouse, decided if they were to do The King and I, it had to be as close to authentic in the casting as possible – right down to the children.

Thus, that Director, when told by the local Casting folk that no API kids came in to audition, replied with “There is a Thai restaurant across the street from the theater, go in there and get the word out!”

The leads were cast out of New York City. The Asian American leads were found in New York City and then flown to the large regional theater in question. Imagine!

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That Director was particularly happy with the Cast that they wound up with – it had Asian American faces in roles that were supposed to have Asian faces. It told a story that was set in an Asian country, about an Asian King, about, in fact, this King:

King Mongkut of Siam, now Thailand

King Mongkut of Siam, now Thailand

Perhaps that is not a big deal to you, after all….you are best known for your Broadway Production of Peter Pan, and Peter Pan has that troublesome role of Tiger Lily and…wait….who did you go with for Tiger Lily….

Dana Solimando played Tiger Lily in the Broadway Production of PETER PAN directed by Glenn Casale

Dana Solimando played Tiger Lily in the Broadway Production of PETER PAN directed by Glenn Casale

Hmph.

Well, that was years ago…things are different now…or at least the internet makes it a bit harder to get away with that kind of thing…unless you are working for Dallas Summer Musicals, apparently.

Mr. Casale, you may get annoyed or mad, even, or feel like…

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but here’s the thing – what you are doing, by casting a Caucasian of European heritage as the King of Siam is called YELLOWFACE and it is by NO stretch of ANY imagination, ok to do.

Also, it looks stupid.

The King and I - Susan Graham (Anna Leonowens) / Lambert Wilson (The King) © Marie-Noëlle Robert - Théâtre du Châtelet - SEE HOW STUPID THIS LOOKS?

The King and I – Susan Graham (Anna Leonowens) / Lambert Wilson (The King) © Marie-Noëlle Robert – Théâtre du Châtelet – SEE HOW STUPID THIS LOOKS?

TFP realizes that you have worked with your friend, Paul Schoeffler, before, in fact, several times and you like working with him. That is great! Seriously, that kind of relationship is a beautiful thing. Working with friends when we are able is one of the great gifts of theater, it makes things easier, it makes the experience fun. TFP understands and appreciates wanting to work with friends, especially when the rehearsal schedule is down and dirty and the show runs a month.

However, working with friends just so you can sacrifice authenticity on the altar of Yellowface, held up by pillars of racism and white privilege, while burning candles of laziness and indifference, is not what theater is about.

Ever.

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Perhaps you were unaware of this.

OH BUDDHA, GIVE ME THE AID OF YOUR STRENGTH AND WISDOM...and a stick to whack everyone with...OHMMMMMM

OH BUDDHA, GIVE ME THE AID OF YOUR STRENGTH AND WISDOM…and a stick to whack everyone with…OHMMMMMM

TFP realizes that her point of view, and the growing view of Diversity on our stages is one that not everyone shares, but you have, unfortunately, put yourself in this situation, and what we want you to consider is that you have an obligation to the legacy of R&H to try and get this ‘right’.

Like this –

Christiane Noll and Paul Nakauchi as Anna & The King

Christiane Noll and Paul Nakauchi as Anna & The King

Not this:

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Mr. Casale, would it be too much to ask you to broaden your scope and try and represent the story as intended by Hammerstein, a story that depicts not only racism, and privilege, and sexism, but also one of expanding one’s notions of what it is that they ‘absolutely know’, oh?

Perhaps you do not have a friend who is a a brilliant performer who also happens to be Asian American that would be right in the role, to you

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But if that is the case, perhaps you could remember one of the lessons of the show, which is there is pleasure in meeting new people…

 

Or you could just….you know…audition people in New York City. There are well over 780 AEA members who self identify as Asian American, according to Union numbers, surely within that number there is someone available who would be thrilled, in fact, journey to Texas for about 2 months.

The Cast of Fresh Off The Boat may be a bit young for The King, but who doesn't love a road trip?

The Cast of Fresh Off The Boat may be a bit young for The King, but who doesn’t love a road trip?

Just a thought.

It is hard, in this day of hyper awareness via internet, that ‘we’ are able to comment on upcoming productions and call people out, to a certain degree, on what some would call ‘micro-aggressions’, but to us are examples of

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But come on, this is not a little thing –

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So under the bus…

under-the-bus-o

ya go Mr. Casale.

Cuz if you wouldn’t cast a white guy as the King of Africa….don’t cast one as the King of Siam.

And…

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For the casting of a Caucasian Actor as an Asian Male, The Fairy Princess awards 30 wacks of the wand to be distributed equally between Dallas Summer Musicals and Director, Glenn Casale.

The buck stops with y’all.

Your decision is wrong, and you totally wrecked my groove for Sideshow tomorrow…

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Three DAYS into the NEW YEAR

The Fairy Princess has only ONE last thing to say….

 KISS MY FAN TAN FANNIE…Y’all!