Archives for posts with tag: Daniel Dae Kim

The Fairy Princess got the news yesterday that The Great Gatsby is going to Broadway from Papermill Playhouse, and they are taking the lead players – Eva Noblezada (Miss Saigon, Hadestown) and Jeremy Jordan, with them.

This means that Broadway, for the first time ever in a season – without musicals set in Asia – will have an unprecedented, NINE possibly TEN new Asian heritaged PRINCIPAL roles in shows that are not revolving around the performer’s background. Shows opening in the 2024 season, we love the shows that have been holding up the sky for a while now, so TFP will list a few, but she is talking this year, 2024, Year of the Dragon.

We currently have Michael Maliakel and Sonya Balsara holding it down in Aladdin, for the ‘long running shows’ as well as Ruthie Ann Miles in Sweeney Todd. Lola Tung coming in to Hadestown as Eurydice on Feb 9 opposite Lilias White as Hermes and Jordan Fisher as Orpheus for a limited run. Chicago recently added Lili Thomas as Mama Morton and Red Concepción as Amos – so even long running shows can be inclusive. And….revivals – with Vishal Vaidya holding it down in Merrily We Roll Along.

In Hamilton, Stephanie Jae Park is Eliza, Marc Delacruz is the standby for several of the lead male roles, which he most recently was lauded in various publications for switching roles mid show. Jen Sese is there as standby for all the Schuyler sisters, and Eddy Lee and Preston Mui, round out the Ensemble.

Yes, you can go to a Broadway show and see people that you can find parts of yourself in – not carbon copies, but parts of yourself.

Add to that the wins for BEEF – EMMYS for the leading players Ali Wong and Steven Yeun, the Golden Globe nomination for Greta Lee for her performance in the feature Past Lives, this year is shaping up to be the BEST EVER!! Shout out to Sandra Oh and Akwafina for the win for Quiz Lady from the Critic’s Choice Award for Best Movie Made for TV? The inclusion of the film, The Queen of my Dreams at the Toronto International Film Festival, starring Ayana Manji as the young version of Azra, one of the main characters?

What is happening world?

TFP is thinking that both Casting and Agents need to wrap their heads around who to call in, and who is on the roster, and if you do not have AAPIs on your rosters – CAA, WMA, AAA, and others – best get to stepping. We are stepping in it.

Let’s begin with the announcements as they have come down the pike:

Eva Noblezada The Great Gatsby as socialite Daisy Buchanan. With two Tony nominations under her belt for past performances in Hadestown and Miss Saigon, Eva has wasted no time in getting back on the boards, and this is a great thing.

(Shout out here to the musical film CHICAGO, which featured Lucy Liu also as a socialite in this era)

Ruthie Ann Miles – Currently in Sweeney Todd as the Beggar Woman, waiting for a theater to be confirmed – once it is, she will star alongside the remarkable Anna Zavelson as her daughter. TFP is including them in the tally, as there is more than a good chance the theater is on the verge of being announced.

Daniel Dae Kim – as DHH in Yellowface at The Roundabout – a play that deals with racial ambiguity and the need to attach to an idea, simply because one is seeking ‘representation’ so strongly. The rest of the cast has not been announced yet, however, TFP has seen this show done before, and usually the rest of the cast is within the AAPI spectrum with some exceptions.

Ramin Karimloo – this Persian ( aka Iranian aka Western Asian) Canadian has long been a Broadway and West End staple performer, (CHESS, Funny Girl, Anastasia, Les Miserables, This next one TFP is super excited for, as it is her FAVORITE Gilbert & Sullivan piece –The Pirates of Penzance, also at The Roundabout. David Hyde-Pierce is announced as Pirate King, so TFP is guessing Mr. Karimloo is the wandering Virgin apprenticed to a Pirate, Frederick.

(Update- Mr. K is the Pirate King and DHP is the Modern Major General- although the above is what the press announcement was.)

Jaygee Macapuguay – will play the role of Mollie Hay in the new musical by Shaina Taub, SUFFS, which also has in it Nadia Dandashi as Doris Stevens, Kim Blanck is playing Ruza Wenclawska and Christine Heesun Hwang in the ensemble.

Special note must be made because there are three principals of Asian heritage in a new show, and it would be unfair to highlight one over the other – but let TFP say, there are theater actors that time and time again have shown audiences what they are made of, and to see them make the leap to Principal contract is super special. She has known and admired them for years, so…

TFP is going to say a hearty congratulations to THE HEART OF ROCK AND ROLL, which just announced it’s opening and is kind of taking the mantle from Sweeney Todd & Hamilton has worn proudly of ‘most Asians in a show not about being Asian’, and here they are:

This last potential show – not confirmed yet, but COME FALL IN LOVE, the DDJ musical, which is directed by Aditya Chopra, book and lyrics by Nell Benjamin, and choreo by Rob Marshall, with Assoc Choreographer Shruti Merchant – would be a huge win for South Asian representation on Broadway, and Asians in general would be ‘slayed the house down’ if that came to pass in 2024.

IF that is true – no word on a theater yet – however TFP is still calling it

2024 will be THE MOST ASIAN YEAR ON BROADWAY – and coincidentally – YEAR OF THE DRAGON!

So breathe some fire, set off some fireworks and clean your house, Broadway – the AAPIs are coming, and coming in HOT!

TFP out.

She excited, but she out – for now, and only for now. (If you get it, you get it)

TFP already wrote today…however, this is big and it goes along with some great strides being made in theater by AAPI performers, however it is equally met in the behind the scenes representation.

Daniel Dae Kim, who was last seen on Broadway in The King & I in 2016, will lead the production of YELLOWFACE written by Broadway’s only Asian American Tony Award winning Playwright David Henry Hwang, who has returned from opera land and tv land to brave a post Covid Broadway. This was just announced for The Roundabout’s 2024-25 season.

Directed by DHH’s longtime collaborator, Leigh Silverman, this play, which is semi-autobiographical, deals with mounting a play and assuming that an actor is Mixed Race, and therefore is cast AS Asian American. TFP finds this fascinating because she remembers (everytime she says that to herself, she says it in a Game of Thrones “The North Remembers” kind of way) DHH’s play, Face Value. Anyway, being of mixed heritage herself and being told she ‘counted or did not count as Asian” depending on who was serving judgement, she has always been exhausted yet fascinated by this play.

DDK who has been heavily involved in producing for television over the last few years, began as an Actor – he holds an MFA from NYU, and TFP still recalls how powerful a presence he was in The Tempest at East West Players in Los Angeles. He is a very commanding stage actor, and she is really glad he is going to come back and trod the boards.

Likewise The Roundabout is also mounting TFP‘s FAVORITE GILBERT AND SULLIVAN PIECE, The Pirates of Penzance, starring the Canadian born, Tony Nominee, Ramin Karimloo, who is of Western Asian Heritage, as The Pirate King. Most recently Mr. Karimloo was seen in the Broadway revival of FUNNY GIRL, but he has played The Phantom in Phantom of the Opera all over the world, likewise all the weighty male roles in Les Miserables.

This is fantastic news, because both these men are leads in their respective shows and it seems that this in some way, far too late, is The Roundabout‘s round a bout acknowledgement of using Brownface makeup on actors during their production of THE MYSTERY OF EDWIN DROOD – which, was fairly egregious.

(Do not come at TFP for this, it was a giant ass mistake and yes, she knows it is a show within a show and so on – does not mean that browning up white performers to play people from Ceylon is acceptable. It was not then, it is not now.) (Also Ceylon is now Sri Lanka)

This was TONY winner Jessie Mueller and TONY Nominee Andy Karl at the Opening Night Party, here they are in the production:

Ahem.

To the point of ‘if they knew better, they would do better’, the NYGASP Production of THE MIKADO is once again up and running. Many years ago, one may remember that TFP’s coverage on the offensiveness of the production that they ran was the subject of a blog post after TFP had gone to see the production.

This led to all kinds of things – people were angry. Although they did a very interesting thing – they invited TFP to come speak on a panel about The Mikado to their subscribers. (If you saw the reaction to Jo Koy at The Golden Globes, it was a bit like that when TFP began speaking) At the end of the panel, it was announced that NYGASP was going to take a season and think about their production and try and amend it. TFP was invited to return when they ‘fixed’ it.

Honestly, TFP was shocked – but they DID fix it. They hired Broadway’s Kelvin Moon Loh to come in and help them imagine better. Kelvin is not just an insanely talented Broadway performer, he is a writer who has sold shows for development.

They added a scene that begins before the operetta, to explain how Gilbert imagined the production – and this was based on testimony from Gilbert himself as to how he imagined it. Then, they did outreach and expanded their company to include AAPI performers. AAPI performers who were not to be hired just for THE MIKADO, those who could join the rep company and add to what was happening there.

It is now, a very enjoyable MIKADO – which is almost impossible to say in the rest of the country – and therefore TFP presents you the ticket link, so that you may see for yourselves – it only runs till Jan 14th, but you have a whole three days to arrange your weekend, so get to stepping.

Also coming this week to Off Broadway, is the Jason Robert Brown piece, The Connector.

It’s new, and as far as TFP knows, is NOT about Jill Zarin.

It does however, have in it’s cast Sweeney Todd‘s Joanna Carpenter and Ann Sanders, most recently of Music Man and Dear Evan Hansen.

Which is exciting, and TFP has her tickets to a matinee, so she will get to see them and so many more folks that she knows and loves.

Just a reminder that it was stated by Ruthie Ann Miles that the reimagining of LIGHT IN THE PIAZZA directed by Chay Yew is looking for a theater. So we could wind up, New Yorkers, with a Broadway Season with multiple Asian heritaged men and women, as LEADS in Musicals AND PLAYS on Broadway.

TFP DOES NOT KNOW WHAT TO DO WITH HERSELF!

It is really, some days, a joy to write this blog.

TFP out.

The Fairy Princess likes change.

SCIENCE! IT WORKS!

SCIENCE! IT WORKS!

Although the current New York weather, aka The Great Blizzard of 2015, is potentially going to be a nightmare of frigid proportions

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TFP still enjoys change.

Also, she like s people who can hear about something, acknowledge that there is a problem, and change their mindset so that the problem can be solved. It does not even have to have a name this problem, but if you like, go ahead and name it…

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Nevermind, the problem TFP was concerned with already has a name, we call it “Yellowface”.

And, occasionally it looks like this:

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Or this:

Actor Lambert Wilson as The King of Siam in a French Production of King & I

Actor Lambert Wilson as The King of Siam in a French Production of King & I

Or this:

Jered McLenigan as Anthony - Photo by Mark Garvin

Jered McLenigan as Anthony – Photo by Mark Garvin

Seriously, TFP could post photo after photo of this kind of thing and what it is IS (for those not in the know), is a Caucasian Actor donning makeup and clothes to portray an Asian person, and in this day and age in 2015, it is not cool.

TFP honestly gets no joy in writing about this phenomenon again and again, it’s like riding a rocking horse so fast you get motion sickness, and no matter HOW many times you write about it and no matter how many people acknowledge that it seems in poor taste,  it happens again, and you are back on that damn rocking horse and you feel a bit like…well….

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Like no one is hearing you.

Such was the case when TFP wrote this post about a production of The King and I that was happening at Dallas Summer Musicals this summer, when they announced the casting of a Caucasian King.

TFP was pretty annoyed…images

She wrote her blog and said what she had to say, as she does from time to time, and quite a lot of people read it, thanks to the internet thingy and a very fired up Orville Mendoza

 AAPAC, (Asian American Performers Action Coalition) also wrote a letter.

And guess what?

We had a response from Mr. Michael Jenkins!

Mr. Michael Jenkins, head of Dallas Summer Musicals

Mr. Michael Jenkins, head of Dallas Summer Musicals

He read many of the emails sent about this issue, was no doubt told of the strenuous objections posted on the Facebook wall of his organization, and here was his response:

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TFP was delighted to hear that Dallas Summer Musicals will re-cast their King!

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And now, here is her ‘charge’ to the API denizens of the Dallas/Ft.Worth area – GO TO THIS SHOW AND…..

MAKE IT RAIN

MAKE IT RAIN

That’s right, TFP wants You, Asian America, to PROVE that you will stand with those who will represent you and your stories and BUY A TICKET.

Be prepared, you may have to PAY FULL PRICE!

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Yes, really.

Because what you are paying for, is a top notch production on a world class stage full of Asian Americans who will be singing and dancing their hearts out and they NEEDS TA GIT PAID!

Why?

Because APIs buying tickets and supporting the hiring of APIs onstage leads to great things for our community – more visibility.

Right now, we, the API Community are in a wonderful, starting off place, we have shows on television where we are represented – Karen David in GALAVANT, Reggie Lee in GRIMM, Maggie Q in STALKER, Daniel Dae Kim, Grace Park and Masi Oka in H50, Ming Na Wen and Chloe Bennet on AGENTS of S.H.I.E.L.D., Mindy Kaling in THE MINDY SHOW, Lucy Liu on ELEMENTARY…and we have these charming kids ready to premiere on Feb. 4 on ABC….

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But we are not on everything. We are not at the Oscars. We are not at the Golden Globes. We are not at The Tonys in a discernible way.  We are not at the big award shows on the podium winning awards, you know, the shows that ‘everyone’ watches and grows up dreaming about being on. There is a path to that, and we are still at the beginning.

Look, in order to get more of us on television, we have to ‘prove’ we are bankable, and that proof starts at the ground level. If we were to steal a phrase from a popular tv show, APIs in show business, we need you, the (much more sensible) APIs not in show business, we need you to be ‘our person’.

original

If you are an Asian Pacific Islander living in the Dallas/Ft. Worth area, even if you do not like musicals, even if you have never seen a musical, if you can afford the ticket price, buy one and go – show them that Asians on the stage means Asian butts in the seats.

Because all the theater wants is a full house, and they do not care what color the people sitting in them are, as long as they are S.R.O. (Sold Right Out)

Yes, they made a misstep in the casting in the first place – but the show was not up yet, TFP and Orville Mendoza ‘caught’ it in time to make a difference, but we cannot do it alone. We have to have the support of the general API Community to show that our faces on the stage matter!

Yes, Mr. Jenkins may not be aware that Yul Brynner’s Russian heritage included Mongolian and that Lou Diamond Philips has Filipino heritage, which makes them both men OF Asian heritage, which means they were perfectly suited to play The King, yes – yes we know.

Yes, they have cast many APIs before in various shows, and really did not understand what the message they were sending was…(maybe they thought it was like Weight Watcher points and they get to spend them when they want to splurge or something, and btw, casting APIs is not like WW points at all)

BUT NOW THEY DO.

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LESSON LEARNED.

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MOVE ON.

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BUY A TICKET.

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Or you will have wasted all TFP’s time and outrage, and many others. We, the Actors, cannot do this alone. We cannot fight for all of ‘our’ representation by ourselves, we need your support!

BUY A TICKET.

Tickets

SELL IT OUT.

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CAN YOU DO IT?

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MAKE IT LOOK LIKE THIS:

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That is all.

Finally, Mr. Jenkins, Dallas Summer Musicals, and Glenn Casale, The Fairy Princess thanks you for taking the time and conversation amongst yourselves to make a change in your thinking. She appreciates the big step you took in acknowledging that a mistake was made, and she thanks you for taking the time and effort and financial cost to fix it.

She also wishes Mr. Jenkins a healthy recovery and a great summer season with which to enjoy it.

Christiane Noll and Paul Nakauchi as Anna & The King

Christiane Noll and Paul Nakauchi as Anna & The King JUST AS AN EXAMPLE

Remember, APIs of Texas, we can help you from afar with changing things, but you have to stand WITH us in this ‘battle’ and buy a ticket.

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TFP out.

The Fairy Princess has been watching a lot of Network TV.

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Mainly because she has a toddler, and as most Parents know, once you have a toddler, you do not get to go out as much as you had before.

Therefore I have noticed that some of my favorite non-Asian named but played by Asian American characters have been killed off, rather gruesomely, on Network Television and I can understand why some are getting upset. (Upset being the mildest word to describe what they are feeling)

Let’s break it down for those who cannot understand the fuss –

First to go:

1. Deborah S. Craig, aka Luli Zheng from NBC’s The Blacklist.

Luli Zheng...RIP

Luli Zheng…RIP

 

Now, Luli was a cool chick. She was. She had an MBA in Economics from Stanford, and was the youngest ever head of a Billion Dollar Hedge fund until, in a spectacular death blow to Tiger Parenting, she was charged twice with wire and securities fraud. However, she survived all of that and went on to manage James Spader’s character ‘Red’ ‘s money and was his lovah….all of which I enjoyed both as an audience member and as a fan of diversity.

And then…dum, dum, dum….Luli had her face blown off and brain matter splattered right there on Network TV in the episode “Anslo Garrick“.

KA-BOOM! Luli we hardly knew ye.

2. Julia Cho (not the playwright) aka Shelby Moss, on ABC’s Scandal

Fare thee well, Shelby Moss

Fare thee well, Shelby Moss

Poor earnest Shelby Moss, who in her work for the NSA ‘overheard’ the conversation between the “I love my Dead Gay Husband, who I just killed” Vice President played by the formidable Kate Burton and the “I let my live Gay Husband sleep with your Dead Gay Husband to get blackmail photos‘ Cyrus Beene, played by the brilliant Jeffy Perry,  in the Episode “No Sun On The Horizon”.

Poor Shelby, she was only trying to help when she turned the conversation in to Olivia Pope’s Sub-Gladiator Family, headed up by their Don Quixote, David Rosen.

But what did she get?

Bullet to the forehead, no warning, and buried in an unmarked grave by Scott Foley’s Jake, who is now ‘Command”.

Ouch. Not even a double tap.

Single shot. Brutal.

Probably Shelby Moss should have taken the hint when she walked on set, given the way Scandal handled it’s last API Character – ‘member Press Secretary Britta Kagen? 

Played by Keiko Agena.

Britta got filtered so Fitz could live....

Britta got filtered so Fitz could live….

 

Britta bit it too. Only fatality. Ouch.

To be an Asian American actor on Scandal is the same as being a ‘red-shirt’ on Star Trek.

 

Damn, they were only following orders, Kirk!

Anyhow, Asian American female characters dropping like flies in some spectacularly gruesome ways, how are the men doing?

Reggie Lee aka Officer Wu on NBC’s GRIMM

Officer Wu-tastic!

Officer Wu-tastic!

was attacked by an Aswang (Filipino monster) and wound up in a mental institution!

Alec Mapas Renzo on ABC Family’s Switched At Birth was accused of leaking Lea Thompson’s first draft manuscript!

"I was supposed to have done WHAT?"

“I was supposed to have done WHAT?”

 

Hmmm, the men, not so good. I mean, good that they are getting so much screen time, but they are dealing with a lot of stuff too.

Which is great!

Because that means more airtime, and that means that APIs are becoming part of the American Television landscape in a larger way, and that means, we are finally getting ‘our due’ as integral cast members! Bad stuff happens to Cast Members, because that is what a dramatic show is all about.

So if Reggie Lee has to go crazy, or if Alec Mapa has to defend himself, or if our Hawaii 5.0 bruddahs and sistahs have to enjoy huge character arcs, in the name of propelling their show’s drama,  all the better.

However one can see where Asian American audience members were perhaps having a rough viewing Network TV season, and then came…Beverly Katz.

Miss Katz regrets, she's unable to lunch today....

Miss Katz regrets, she’s unable to lunch today….

 

3. Hettiene Park, aka Beverly Katz, NBC’s Hannibal

Everyone likes Beverly Katz – maybe it’s the name, maybe it’s the no nonsense approach she has to science. Perhaps it is because Beverly Katz was indeed a breakthrough character in many ways, right from casting.

Hannibal Creator, Bryan Fuller first saw Hetienne in a play on Broadway called “Seminar”, and that may be where our public attachment started.

First off, as everyone knows, (but if they do not they can read this AAPAC study on the dearth of APIs on Broadway) Asian Americans on Broadway in seasons where Miss Saigon or King & I are not playing are low to non-existent. To be an Asian American on Broadway is to defy incredible odds. To then be able to propel it into a television role is exceedingly rare, so of course Asian America would embrace Beverly Katz, er…Hettiene Park, er…Beverly Katz. (because you see, she’s a character, ahem)

Here’s glam, but understated, Beverly going head to sewn-on head (onto another body, you have to watch the show), with monster Hannibal Lector, who has planted evidence to frame the mentally nimble but unsteady, Will Graham. Beverly is the only one, using reason and logic and science, who finally comes to the realization that Will is telling the truth.

So she goes to Hannibal Lector’s house. Alone.

Repeat that last part, she goes to Hannibal Lector’s house alone. Would YOU go alone to someone’s house if you thought they were a mass murderer who eats his victims?

Probably not, but it makes for good television.

Good television, good storytelling, good craftsmanship is why people watch the show. Any show.

Unless you watch reality tv exclusively.

The one, the only Honey Boo Boo

Honey Boo Boo, Ladies & Gentlemen, Honey Boo Boo

 

Now, there are many, many reasons that fans attach to a character and a show. Asian Americans in particular have been so long ignored on the TV landscape that we attach rather strongly – so there was a resulting uproar when poor Beverly Katz turned around and saw Hannibal seeing her, in his basement, pawing through his stuff.

Characters die for all sorts of  reasons on television. Sometimes it’s a production decision, sometimes it’s an actor’s decision, sometimes it is a combination. A non-meeting of the minds. Or it is a decision based on, oh, what is that thing we all tune in for?

Oh right, the story.

You can be sad when your favorite characters die on a television show, for example…

Dan Stevens as Matthew Crawley on Downton Abbey

 

Josh Charles as Will Gardner on The Good Wife….

 

But let’s not get hysterical.

There are really good things coming for Asian Americans who like seeing Asian Americans on television or in films –

Cast of the Pilot, Far East Orlando - Constance Wu, Ian Chen, Hudson Yang, Forrest Wheeler, Randall Park

Cast of the Pilot, Far East Orlando – Constance Wu, Ian Chen, Hudson Yang, Forrest Wheeler, Randall Park

And there are some really good things already up and running:

Arden Cho on Teen Wolf

Arden Cho on Teen Wolf

Rex Lee in the Entourage Movie

Rex Lee in the Entourage Movie

The Cast of TBS's Sullivan and Son

The Cast of TBS’s Sullivan and Son

Grace Park & Daniel Dae Kim

Grace Park & Daniel Dae Kim

Christina Chang and the cast of Nashville

Christina Chang and the cast of Nashville

Chloe Bennett & Ming Na

Chloe Bennett & Ming Na

So we are not NON Existent on Network TV, get that out of your head. We’re there. Not everywhere, but we are there.

Of course you are allowed to be sad about poor ol’ Beverly Katz, who likely will ‘get served’ on this evening’s Hannibal.

panch'an) refers to small dishes of food served along with cooked rice in Korean cuisine.

panch’an -small dishes of food served along with cooked rice in Korean cuisine.

 

However you must remember….your favorite characters dying on one show means that soon – they will be on another show playing someone else you can grow to love just as much. Or perhaps they can go and do a play or a musical on Broadway and you can see them live, up close and in person.

Being on a Network Television show in a role that recurs opens many doors, it is the gateway to a career that can be challenging, as a minority, to get noticed in. When Hannibal started, no one outside Broadway knew of the range and talent of Hettiene Park.  Now, as of the numbers last week show, 2.5-2.7 million people have seen Ms. Park and what she can bring to a role. She will be just fine. She will live on – not as Beverly Katz, but as someone equally cool. Same goes for Deborah S. Craig and Julia Cho and Keiko Agena….they will all be fine.

You can be angry – but be angry at Beverly Katz, who was stupid/confident enough to walk into a psychopath’s house alone without backup. While you are at it, be mad at Cousin Matthew for driving too fast, and be mad at Will Gardner for taking on an unstable client.

That anger will be equally as useful.

Flipping out to flip out is not going to get you more Asian Americans on television. Flipping out to flip out, means you become, forgive the color inclusion but it’s the term, white noise.

No one will listen.

The Fairy Princess is not down for that, nope, not at all. You cannot cry racism or institutional racism or any other isms ad nauseum. Activism is useful when it is active. Not when it’s all about yelling. I know this, because my Family has, for generations, been activists in this country.

Beverly Katz is dead. RIP Beverly Katz – your passing will enhance the opportunities for actress Hettiene Park, and the storyline of Hannibal, and for those of us who watch it, we are grateful for your sacrifice.

And remember….

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And if you cannot…..(I don’t know why, maybe you are a vegetarian, as am I) then it really may be as Elementary as…

Lucy Liu as Dr. Watson in Elementary

Lucy Liu as Dr. Watson in Elementary