The Fairy Princess really hates to be proven correct – but here we go – Maybe Happy Ending, which won the TONY Award for Best Musical this past year, and for it’s star, Darren Criss, has announced that it is seeking replacements for the Broadway production and robots not being Asian presenting is the hill the Producers are going to die on…
So that, as they say, is that.
(Say what you will about R&H, their shows in the current day cannot be done professionally without #AANHPI performers, and their foundation stands by it.)
Yes, all the things you are feeling are justified.
However, it is not the performers’ fault – and TFP stands by that. They didn’t write this casting notice.
Worth noting that the breakdown for James lists the character’s background as Korean, but the actor playing him does not have to be.
If anyone of the AANHPI diaspora goes in, and is asked about their racial identity- THAT is expressly forbidden for CDs to do by the CSA -Casting Society of America.
If that happens, there is an internal review and members are disciplined if violations occur.
Ahem.
Now, if TFP were to think about it – she would warn folks about getting down in the dumps about this situation – she does love a good think – she would say this is your chance to RISE UP – she would say that ALLLLLL the AEA AANHPI performers who are right for this show should go to the EPA – which is
Weds October 15th from 10AM- 6PM
Pearl Studios – 500 Eighth Ave
Holding is in 404, and the audition room is 402
In the audition room will be Craig Burns and Jimmy Larkin.
Get there early and sign up – etc. etc. etc….TFP believes in you, you can do it.
Go hold your musical theater ground…
We, of the AANHPI community who are not ‘right’ for this show, salute you….
Go show them what you are made of in the Year of the Snake….you got this!
TFP knows you will SLAY ALL DAY!!!!
Ok, ok, ok here is the point – It’s only a defeat if you don’t show up and show out.
The Fairy Princess got up this morning to find that the Producers of Maybe Happy Ending, the TONY Award winning production of MAYBE HAPPY ENDING, which is set in Seoul, Korea – intends to replace Darren Criss, who is of Asian descent, with Andrew Barth Feldman – who is an Evan from Dear Evan Hansen, and in, in real life, the boyfriend of Helen J. Shen, who stars in this show.
(They made that part of the marketing, which is the only reason TFP mentions it)
Was Zach Piser (star of KPOP the musical, and a Broadway Evan Hansen, & recently closed on Bway, REDWOOD) not available?
It is giving – for those of you who know TFP is Australian, real throwback vibes of the Sydney Opera House production of The King & I, starring Lisa McCune and HER then boyfriend, Teddy Tahu Rhodes, as The King of Siam. Teddy was not Asian. Teddy is still not Asian. He teaches now in Adelaide.
It was whitewashing then, and it is whitewashing now.
Look, there are some kickass people in Maybe Happy Ending, and Helen J. Shen is one of them – so this is not to come down on ANY of the Actors in the show.
Actors go where they are hired, and right now, the Producers have made this decision to hire a non Asian-descended actor to replace an Asian descended actor – when there is LEGIT AANHPH TALENT ALL OVER BROADWAY!
Has folks feeling all…
However the tone deafness of this casting is particularly painful because:
The show has been touted for it’s casting
This upcoming Broadway season does not, as of yet – seem to have ANY AANHPI leads other than Keanu Reeves, and that is only if you can afford the $150-$950 tickets now available for WAITING FOR GODOT – so frankly, Maybe Happy Ending is ‘it’ for representation right now
AANHPIs just had a remarkable winning TONY season, and now, poof – it goes away just like that
Maybe Happy Ending does not need ‘stars’ – it doesn’t. Whoever plays Oliver becomes, de facto, a Broadway star.
Again, was Zach Piser busy? Cuz…
Ahem.
(No, Zach Piser has no idea TFP is throwing his hat into the ring for this show, it is without his consent, and one should acknowledge that – he is a suggestion based on Mr. Criss and who could replace him, and fulfill all the requirements – particularly having lead a Broadway cast before and having a fan base.)
TFP thinks replacing Darren Criss, who is a mixed Asian descended Actor with someone likeZach Piser, ALSO a mixed Asian descended Actor who has been on Broadway and headlined shows – truth be told the VERY SAME show that Mr. Feldman headlined, would have been a…stronger choice.
TFP was not going to randomly throw out names, however…perhaps she should..now these names are not specifically Korean – because we do not segregate on Broadway and TFP is against any kind of ‘blood quantum’ aspect of an AANHPI Actor excluding themselves from a role based on where one’s grandparents come from.
However she will throw out names – all have been in Broadway shows, all have had great reviews and impact and are very talented – and this is a few, not ALL –
However – and you can look them up:
Michael K. Lee,Kelvin Moon Loh, Marc delaCruz, Raymond J. Lee, Telly Leung, Kevin Woo, Eddy Lee, Conrad Ricamora, Timothy H. Lee, Kennedy Kanagawa, Abraham Lim, Joshua Lee, James Kho, Jinwoo Jung, John Yi etc, etc, etc…
They all should have been considered, because the show really does not make sense with a non AANHPI Helper Bot.
It just does not make sense.
The show takes place in a semi-distant future in Seoul.
Seoul is in South Korea.
Do we really need to go to one of TFP‘s parlor tricks and pull out a map?
FFS
See, that’s Korea – and it is located in the Sea of Japan and the Yellow Sea – right below it is Japan. In between Japan and South Korea, specifically Seoul is Jeju Island – which plays a major part in the storyline. The Helper Bots drive a car from Seoul to the ferry at Jeju to see the fireflies.
However as performed, this show has always had AANHPI people in the lead roles of Oliver and Claire.
Despite where it is set, there IS a ‘white guy”.
Yes there is one role, Gil Brently, played by Dez Duron who is an amalgam of a white jazz pop singers like Frank Sinatra, like Dean Martin, like Michael Bublè – that is where we see ‘white representation’. In a show set in South Korea. ENTIRELY set in South Korea.
Otherwise the cast is entirely AANHPI – and it has been that way since the show opened and won TONY Awards, including Best Musical, Best Direction, Best Book, Best Score – yadda yadda, Congratulations on all of that…
TFP is a HUGE FAN of all the cast of MAYBE HAPPY ENDING.
She will share a photo now to acknowledge the HUGE PERSONAL RISK she is taking in writing about this at all, because this is NOT an attack on any of the actors coming in to the show, or currently in the show.
It is not right to ignore it either – and kudos to the Producers for shooting TFP’s BP right into the stratosphere with this announcement.
TFP thinks what happened is an ‘accident’ of proximity – there is a Broadway actor, he is around all the time, there is a role the Producers need to fill for 9 weeks – 2 months and a week, and they figure, “Why not?” – after all vocally it is a match and this is the point that TFP thinks it hung on:
Helper Bots are not an ‘actual thing’, they are a made up thing, and Helper Bots are something people in this musical ‘order for purchase’, so yes, ostensibly these South Korean owners – these South Korean owners of the Helper Bots ‘could’ order a non-Korean appearing robot.
To serve all needs in a very Korean household.
Because there is nothing Koreans from Korea like more than diaspora in their homes….
Helper Bots are clearly a South Korean ‘thing’ because the owners that they show of these robots are of South Korean Descent. There has been a climate issue or climate crisis, and that is affecting how people are able to live without assistance, it could also be post the 4B movement in Korea which results population decline. The writers do not ‘spell it out’, but clearly, there is an issue there.
That is their background, and here are who plays the ‘owners’ of these Helper Bots – Arden Cho, who is killing it now as the voice of Rumi in KPOP Demon Hunters on Netflix, is Helper Bot Claire’s owner.
Marcus Choi is Helper Bot Oliver’s owner.
So while TFP can almost ‘hear’ what the justification is for this casting, she thinks that it does not fulfill the the classic way in which actors/directors break down a piece – which is:
WHO – who is this character including physical description, likes, dislikes, cultural background
WHAT – what is the circumstance in which this character is appearing
WHEN – when in the time of the show, when in the time of the writer’s career, and when specifically in the character’s life is this happening
WHERE – physical location generally and then, specifically, and then nuances – in his apartment, in the kitchen, at noon…etc
WHY – why today? Why this moment? Why is whatever happening, why is it happening now?
HOW– How did they get to this point, in the show, in the moment
Now, there have been quotes from the creative team, so there is nothing to be done, except reiterate that this casting does not make sense to TFP, but she can only assume they wanted to use the real life element to propel ticket sales, which, hey – it’s not show friendship, it is show business.
Also, folks may be angry with one of the creators signing off on this- Hue Park, but TFP wants to remind everyone that Creatives who come from a mostly homogeneous country do not travel outside their country with the intent of ‘representing’ for, in this case, AANHPIs.
We have seen this again and again from Filmmakers and Writers of the Asian diaspora- so this should not be a surprise- just an oddly familiar disappointment.
‘We’ cannot honestly be that angry with Mr. Park because he is not going to ‘get ‘ it- and, one supposes we should not expect him to- although he did study at NYU and the show literally campaigned on diversity.
In which case, it was never about representation- it was always about a check.
She still thinks it is a mistake.
It ends Michael Arden’s record of being the one director who felt like a safe space to People of Color – and this may not even be his choice. However by pulling a quote from him and the composing team and putting it in the press release, it is giving them no choice but to go stand behind it. The check has to clear.
TFP does not think this is a choice by Casting Director Bernie Telsey or his team, they have long been a champion of diversity on Broadway and beyond. In some respects Broadway only started to change when Bernie Telsey came on the scene, and TFP does not say that lightly.
The casting of RENT changed things. It changed things for her personally and for her friends, she saw it – so no, she does not hold casting responsible. They were instructed to bring the actor in for a music run through and then send over a contract.
This is quite clearly a Producer choice.
However TFP will add- if the hook was AANHPI Casting, but the intention was not to keep it once the awards were awarded- DO NOT SET THE SHOW IN SOUTH KOREA, A REAL and ACTUAL PLACE!
If a non AANHPI Cast was going to come up- then do not have them travel from Seoul to Jejun Island, make up somewhere and have them travel from A to B. Do not name anything for Korean culture- because it MAKES NO SENSE!
Key producers for Maybe Happy Ending include Jeffrey Richards, HunterArnold, and Darren Criss. Other producers include Rebecca Gold, Spencer Ross, Adam Zotovich, Kayla Greenspan, M/B/P Productions, Fahs Productions, Ken Greiner, Ruth Hendel, Willette and Manny Klausner, Cody Lassen, Mix and Match Productions, The Nederlander Organization, and Jacob Stuckelman & John Albert Harris.
Lotta names there, we’ll have to remember them….particularly Hunter Arnold…
TFP ventures a guess that for the next few months, the audience for this show will look different. It robs the soul from the production set in Seoul, and that is a shame.
None of the cast has anything to do with it, so please do not harass anyone. We only ‘vote’ on Broadway by purchasing a ticket, so that is all you can do – vote with your ticket choices.
TICKET CHOICES ONLY – do NOT enact hideous internet trolling on any of the Actors and the Creative Team of this show please – there HAS to be a standard here, there HAS to be. Theater MUST hold itself to a higher standard than The House and Congress and certainly, The White House.
You can be sad about it – TFP is sad about it – but making the lives of people who live to entertain you miserable, is NOT IT – get it?
IF you DO want to see a show, starring an AANHPI – you can join TFP this Sunday at The Cutting Room and see ALEC MAPA as he rolls out his next comedy special at 7PM
44 East 32nd Street, NYC, NY 10016 (2120 691-1900
All right then, another day, another time to be AANHPI and be…wistful.
Rather a slap coming right off a very exciting Awards season, but hey – hopefully they will feel the difference and make amends.
People can only learn at the rate they learn, and that is it.
The Fairy Princess had a pretty busy week, and she has a busy week ahead. For those who read my blog regularly, yes, I am working on something in regards to performing PACIFIC OVERTURES without Asians in the show, however, it will take a bit of time, and you will have to wait a bit on that – although she is hoping when it is published, it will stand as a ‘definitive’ post on P.O.
However, just because you do not hear from The Fairy Princess all the time, does not mean that she is not fluttering about, paying attention to various things.
Here I am, paying attention…see – eyes WIDE open….
And when one pays attention, they can get their wings a bit bent, and that is what happened when she read this article in the LA Times by Betsy Sharkey on’30 Actors Under 30 Who Matter”.
What The Fairy Princess noticed most on this list was that when it comes to ‘who matters’, the answer is quite clear – blondes. In fact, of all the women on this list – 17 in total, only 4 are brunettes. Only one, Hailee Steinfeld, is ‘ethnic’, she is Eurasian. There are no Latinos or Latinas on this list – at all. Two African American men. No African American women. One South Asian man.
To be fair, writer Betsy Sharkey acknowledges that her ‘list’ is‘whiter than I would like“ because of “Hollywood’s continued bad casting habits‘, however by titling those listed as the ones ‘who matter’, Ms. Sharkey is contributing to the problem, not helping solve it.
While we can all acknowledge that television is leading the way in bringing Diversity to our screens, Indie film falls sadly behind. This is due of course, to most Indie films that make it to the big screens being written and directed by Caucasian males – and a large majority of them are based on some sort of retrospective of the writer/director’s life as a coming of age young man. Apparently they all lived in some generic American town that was quirky in the extreme and they were bereft of even a token ethnic friend, (which could be in part why they left), but really…who knows?
Bland upbringing means blonde casting. If they want the female lead to have depth, she is a blond with roots or a light haired brunette. She is wry, quirky, self-deprecating, but as this list points out, she is startlingly similar to the last Indie darling found by the last hailed Indie genius.
What is ‘wrong’ with this list is not, in fact, that these Actors are working, but that they are being held up in a way that Actors of Color are not – which takes an already un-level playing field and tilts it even further away from Diversity towards a very specific look.
Should Indie films continue their ‘all look same’ policy, the breadth of stories being told will become far narrower, their appeal far less, and all in all – it will contribute to the decline of Indie film as a place to go for exciting stories – after all, how many ‘coming of age gawky teen films full of desire for the cheerleader AND the ‘alt’ girl‘ are we, the general public supposed to swallow? We can only be sidetracked by their wearing some sort of superhero or 1970’s garb for so long before we realize they are, indeed, all looking and sounding quite similar.
What is happening to you, Indie Filmmakers? Why so bland?
May The Fairy Princess make a suggestion? Do not just ‘write what you know“, write what you can imagine. SEE people, SEE that stories come in all shades and sizes, and that beauty is not in the eye of the beholder, but in how the DP lights you. If you cannot cast your film with a Person of Color in a major role or large supporting, then perhaps you should look to another profession – because the art of cinema is in how you visually paint your palette – and if there are no other colors, what are you painting exactly?
It was not that long ago that Indie film was where people looked to see diverse stories – let us remember America Ferrara, who starred in the breakout film, Real Women Have Curves – which was directed by Patricia Cordoso and written by Josefina Lopez and George LaVoo in 2002. Ms. Ferrara has had a great career in television and voice over since then. Her success in Indie film helped changed the television landscape with the show, Ugly Betty.
Another was Gabourey Sidibe who starred in Precious, which was directed by Lee Daniels, based on a book by Sapphire in 2009. She too, has gone on to a successful career in film and television.
Or the Cast of Better Luck Tomorrow, directed by Justin Lin, in 2002. All still working.
L-R: John Cho, Karin Anna Cheung, Parry Shen, Roger Fan, Jason Tobin, Sung Kang
2002 was a good year for Diversity in Indie Film. It is now 2014 – and now, we have this list to tell us who are the ‘breakout’ stars for this new generation, and it includes no Latins and no Black women.
Diversity behind the camera, brings Diversity to the camera.
Here’s the truth, The Fairy Princess does not have a problem with any of the Actors on this list, she enjoys their work. TFP does not even have a problem with the writing OF this list, because the list is based on box office and Q ratings and numbers, but the title of the list IS a problem. Because it says that these are the 30 ‘who matter‘, and by inference, anyone not on that list does NOT matter.
So who does ‘not matter’ in show business, which is the subliminal take away from Ms. Sharkey’s article? Latinos, Black Women, Asian Men, South Asian Women, Middle Easterns and most Mixed Raced people.
Those are who do NOT matter.
This list is now in the hands of every Casting Director, Show Runner, Executive, and Aspiring Director as a veritable ‘who’s who’ of how to get your show or film funded, the people on this list are now ‘bankable’, and bankable means green-lit.
This list gives a play by play of how to get your film to the next level of serious consideration and the great thing about it is, as demonstrated, if you cannot get Elle Fanning, you go to Chloe Grace Moretz, and if she passes or is unavailable, and you can bring yourself to even envision a brunette, you could think about offering it to Hailee Steinfeld. If you want super hot but slightly weird you can turn to Ellen Page, and if she is not available there is always Rooney Mara, who managed this year to get cast as a Native American, simply by dint of hair color!
Because she ‘matters’.
That is the danger of this list.
With respect to Ms. Sharkey, she is not ‘responsible’ per se for up and coming actors and who they are or what ethnicity they inhabit. What she is responsible for is the way in which she has them presented. To her credit, when The Fairy Princess tweeted her about the lack of diversity on her list, she responded with a request to be enlightened (something that is presented as open minded while wearing blinders).
The Fairy Princess took it as an honest invitation, but perhaps it was not.
Ms. Sharkey also mentioned via Twitter, and it is worth repeating, that Diversity is more apparent in Actors ages 30 and up, which is somewhat hopeful and yet, appalling. Because she writes about film, and she could not name Diverse Actors in their 20’s.
The Fairy Princess has asked around and has done some research and while she may not get to 30 because of the ‘rules’ of the list – she is limited to rising film stars and not television stars (where it is acknowledged there is growing diversity), she wants to be clear that the Actors and Actresses of Color who are in their 20’s working in film ALSO ‘Matter”.
In fact, they matter more – because they are the .001% of those who have the talent to already be working in the film industry despite their not being a petite blonde whose grew up in show business or the willowy one who can do stunts while being gorgeous and wry. In fact, TFP will allow up to age 30 to be considered for this list because once upon a time, those who just turned 30 were in their 20’s. For some, it may be only moments ago.
These 20 somethings have succeeded in spite of the Industry. If TFP misses anyone who should be considered, please of course, list them in the comments – her hope is that this list too, will become a ‘short list’ of who to go to.
The parameters are again, film – successful and noted Indie films and Blockbuster Hollywood Franchises. Not the short that got you a mention in the Film Festival in your town. Not the grad school film that you appeared in for a copy on DVD. No Youtube ‘stars’ who are ‘famous‘ – just because you have ‘hits’ and money from those hits to live on does not make you an actor or actress of note.
Blockbuster Films and well lauded Indie films are the requirement to be on this list. Future projects are listed, but they are not ‘required’ to be on this list – the requirement is age, and credits.
Anything else would prove the point Ms. Sharkey has unwittingly made – that there are few Diverse actors to choose from when making film, and we all know that is NOT true in the slightest.
The Fairy Princess pulled from the world wide web, her memory, and friends to make sure she had options, so come with her now and see how she did….
PATINA MILLER (29) TONY Winner for her role in the Broadway Revival of PIPPIN, TONY Nominee for originating the role of Deloris Van Cartier in the Broadway musical version of SISTER ACT. Next to be seen on the big screen as Commander Paylor in THE HUNGER GAMES: MOCKINGJAY.
TAO OKAMOTO (29) A model turned actress, she played opposite HUGH JACKMAN in The Wolverine, and will next grace the big screen in the Blockbuster BATMAN VS. SUPERMAN
FREIDA PINTO (29) another of the breakout stars of SLUMDOG MILLIONAIRE, she will play a heroine addicted Iranian Artiste in the upcoming film, DESERT DANCER
ROMEO MILLER (24) First appeared in a mainstream film in HONEY opposite Jessica Alba in 2003. In 2011 he starred in JUMPING THE BROOM. He appeared in MAEDA’s WITNESS PROTECTION PROGRAM in 2012, and will play the lead in the Urban Strip Drama, CHOCOLATE CITY from Writer/Director Jean Claude LaMarr – just announced by Nikkie Finke. Mr. Miller has 3 films currently in Post-Production: LOOSE, BROTHERLY LOVE, SHAKER POINTE, and ONE HEART
UTKARSH AMBUDKAR (30) began his film career with ROCKET SCIENCE in 2007, and went on to do quite a lot of TV work before appearing in PITCH PERFECT in 2012, he is currently rumored to be reprising his role in PITCH PERFECT 2, according to IMDB.
KATIE LEUNG (26) this Scottish Actress is best known for playing Cho Chang in the HARRY POTTER film franchise. Her acting career seems to be growing most on stage – WILD SWANS, WORLD OF EXTREME HAPPINESS (The Shed at The National Theater 2013), and on the BBC in the Father Brown series. She was also named one of Scotland’s Most Stylish Females
KARAN SONI (25) Appeared in the Indie hit film, SAFETY NOT GUARANTEED, which won numerous awards. He is currently filming a GOOSEBUMPS movie and an indie called B-Roll in addition to appearing in numerous TV shows.
NATHALIE KELLEY (29) this Aussie is of Peruvian and Argentinian descent. Best known for appearing in THE FAST & THE FURIOUS; TOKYO DRIFT she also appeared in the feature TAKE ME HOME TONIGHT and will reprise her role in FAST & FURIOUS 7
NATHALIE EMMANUEL (25) this UK Actress has a combined heritage that included Dominican, St. Lucian, and British. Though most may know her as Missandei, the Interpreter for Khaleesi in GAME OF THRONES, she is set to light up the Big Screen in FAST & FURIOUS 7. She has also appeared in the stage musical of THE LION KING in The West End playing Nala.
TYLER JAMES WILLIAMS (21) starring in the upcoming Indie film DEAR WHITE PEOPLE from writer/director Justin Simien.
VANESSA HUDGENS (25) has a mixed ethnic background of Filipina, Irish and Native American, she is known for the Indie film THIRTEEN, THUNDERBIRDS, SUCKER PUNCH and SPRING BREAKERS. Her next project is a Pre-Broadway workshop of the musical, GIGI by Lerner & Lowe
KEKE PALMER (20) shot to fame as the lead character of Akeelah in the indie, AKEELAH AND THE BEE. She has a long resume that includes the Animated feature ICE AGE: CONTINENTAL DRIFT, JOYFUL NOISE, THE CLEANER, and BARBERSHOP 2:Back In Business. She will next reprise her role as Peaches in ICE AGE 5, she has a film called THE PIMP in Pre-Production, and another film, BROTHERLY LOVE in Post Production.
ADAM BAKRI (26) star of the Palestinian film OMAR, which was nominated for an ACADEMY AWARD for Best Foreign Film in 2013. The Film won the Special Jury Prize in Cannes. He self identifies as a Palestinian Israeli, who now lives in the US full time. His next project is the feature film ALI AND NINO directed by Asif Kapadia. The story is regarded as ‘the jewel of Azerbaijiani literature’ and charts a romance between a Muslim Prince and a Georgian Christian Princess, the book was published in 1937 and written by Kurban Said
HANA MAE LEE (27) This Korean American Actress started modeling at 16 for major brands before making the leap to Acting. She is known for her role in PITCH PERFECT and will reprise it for PITCH PERFECT 2.
JAMES FLOYD (28) This UK Actor who is half Indian-Singaporean and half British won the Best Newcomer Award last year at the British Indie Film Awards for his role in MY BROTHER THE DEVIL. He has also been seen in THE INFIDEL (2010) and EVERYWHERE AND NOWHERE (2011)
TESSA THOMPSON (30) – WHEN A STRANGER CALLS (2006), MAKE IT HAPPEN (2008) ,FOR COLORED GIRLS (2010). Next up for her, the highly anticipated Indie DEAR WHITE PEOPLE
BRITTENY ALGER (25) is listed as having Mixed Ethnicity by her Agent, and hails from New Orleans. She has appeared in the films PITCH PERFECT, 21 JUMP STREET, and THE DEMENTED. She will next appear in FAST & FURIOUS 7 as Jasmine.
DARREN CRISS (27) appeared opposite comedic heavy hitter Kristen Wiig, in GIRL MOST LIKELY. Mr. Criss is Eurasian, having heritages of Chinese, Spanish, Filipino, English, German, and Northern Irish
ODETTE ANNABLE (29) whose heritage is French, Italian and Cuban took her Husband’s name, her original surname was Yustman. She has been seen in CLOVERFIELD (2008), THE UNBORN (2009), AND SOON THE DARKNESS (2010), YOU AGAIN (2010)She will next appear in the feature film, THE TRUTH ABOUT LIES, which is in post. She was raised in a Spanish speaking household and is fluent.
TRISTAN WILDS (24) has appeared in THE SECRET LIFE OF BEES (2008), the Indie HALF NELSON (2006), and RED TAILS (2012) TRISTAN has been quoted as saying “I get offered a lot of black roles because apparently, I don’t look Latino enough”
ALEXA PENAVEGA (26) started off her film career with the SPY KIDS films, and also appeared in the film REPO, THE GENETIC OPERA. She has 5 new films coming out – DWELLER (pre-prod), SPARE PARTS (post-prod), SIN CITY: A DAME TO KILL FOR (Post Prod), 2 BR/1BA, 23 BLAST, and THE REMAINING.
LEILA BEKHTI (30) is a French Actress of Algerian descent. She won the coveted Cesar Award for Most Promising Actress for her role in TOUT CE QUI BRILLE, which was a critical and commercial success. She starred in THE SOURCE, competed at Cannes in 2011. In 2013 BEFORE THE WINTER CHILL, and in 2014 MAINTENANT OU JAMAIS
DESIREE AKHAVAN (29) is a Writer, Filmmaker, and Actress whose feature, APPROPRIATE BEHAVIOR is being shown at LA’s OUTFEST 2014. She has been called “The next Lena Dunham” and refers to herself as a Bisexual Iranian American. This film was her thesis for NYU’s Graduate Directing Program, and premiered at Sundance Film Festival. The LA Times just did a feature article on her – coincidentally, the same paper that the 30 under 30 list appeared.
MALESE JOW (23) has appeared in THE SOCIAL NETWORK, BRATZ the movie. Upcoming she has the film, PLASTIC
KI HONG LEE (24) has appeared in SHE HAS A BOYFRIEND (2013), THIS IS HOW WE NEVER MET (2013). He will be playing Minho in the film adaptation of James Dashner’s THE MAZE RUNNER
AML AMEEN (28) this UK Native appeared in Lee Daniel’s film THE BUTLER playing a younger version of Forrest Whittaker’s character, Cecil Gaines. He will appear in THE MAZE RUNNER Trilogy later this year, as well as in the the feature LILA & EVE opposite Jennifer Lopez & Viola Davis. He will also appear this year in the feature BLACKBIRD alongside Minnie Driver and Danny Glover.
NATASHA WANGANEEN (30), This Aussie Native is shown here with her 2004 AFI Award for her turn in the film RABBIT PROOF FENCE. She also appeared in JESSICA in 2004
JESSICA HILDA MAUBOY (25) is an Australian Actress who gained International notice when she starred in the Indie film, THE SAPPHIRES (2012). She earned a AACTA Award for Best Actress in a Supporting Role. She appeared in the Aboriginal Musical Film, BRAN NUE DAY. She is also a Pop Star in Australia and was nominated in 2013 for “Young Australian of the Year”. She is of Indonesian and Indigenous Australian descent.
QUVENZHANE WALLIS (10) is known for her roles in 2 Oscar Nominated Films – BEASTS OF THE SOUTHERN WILD (2012) and 12 YEARS A SLAVE (2013). Next up for her is starring in the reboot of the latest film version of the musical, ANNIE
KEISHA CASTLE-HUGHES (24) nothing like launching an Indie career by riding in on the back of a Cetacean, but this actress from Western Australia is known for her debut in WHALE RIDER (2002). She also has been seen in THE NATIVITY STORY (2006), STAR WARS REVENGE OF THE SITH (2005), RED DOG (2011), with a rumored part in GAME OF THRONES coming up. She has completed filming on 2 features – MILLION DOLLAR MATE and QUEEN OF CARTHAGE
Well heavens, The Fairy Princess made it to a list of 30!
Now, of course, Dear Reader, this will spark your memory and you will OF COURSE comment on who was left off of this list – AS WELL YOU SHOULD. Let us make the list longer!
One group which she wanted to include was Native Americans, there are quite a few from The Twilight Movies, however – they generally did not have their birth dates listed on IMDB, so The Fairy Princess could not determine – given the parameters of the list – whether or not she could include them on this particular list.
The Fairy Princess did want to let you all know that there is a wonderful list of NA Actors on IMDB, and if you click HERE, you will find it – and Congratulations to them all, TFP was glad to know that there were so many.
The Fairy Princess is not a professional writer who patrols screenings and looks for new talent as part of her job, she is someone who blogs about Diversity and what lack of Diversity does to our culture at large – and this list took her one day to compile.
ONE. DAY.
And, there is NO DOUBT that she could have written more, there is not a doubt that she could have gotten higher than 30, but… she has to go to bed. That is the truth. The Fairy Princess has a toddler who will be awake and chatty at 5:30 am, just as he is EVERY morning, and simply put….she has to call it a day.
However, she wants you to remember, that the next time someone deigns to tell you who or what ‘matters’, that it is clearly something to ignore.
We all matter – whether it is to your Family, your Friends, your Career – YOU matter. Do not let Hollywood and it’s lack of creativity in Casting have any effect on your personal feelings about yourself because The Fairy Princess SEES you, she does, and take it from her – YOU MATTER.
10 smacks with the wand to Ms. Sharkey, who in one fell swoop, managed to push the Hollywood agenda steadily forward, by paying lip service to the problem, but not, in any way, becoming part of the solution.
Dear Ms. Sharkey The Fairy Princess has no idea why your list was so heavily stilted towards blonde actresses…
but she could take a guess.
Let’s do better next time.
Also, please take a look at this new film’s trailer…because we are getting restless, and when we do, we People of Color, we get funny….
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