Archives for posts with tag: Awards

TFP wants to start off on an upbeat note – after declaring this coming season in theater the most Asian on Broadway- in a year with no shows set in Asian countries – (which, she’s not wrong) – she had some more good news via Insta – Bossy Bear – the Nickelodeon series (based on a children’s book series by David Z. Horvath and his wife, Sun-Min Kim) has beaten, numbers wise, the juggernaut that is…wait for it..PAW PATROL!

Here is what it means to AAPI America, and this is what she told her kid when he asked why it was a big deal – what it means is that children understand and require content where they can see themselves. They love the dogs. They likely have a lot of dogs they know personally – but to them, dogs do not represent necessarily human behavior, though they do talk and deal with moral issues on Paw Patrol. Paw Patrol is a great show, and has been THE GOAT for a long time. However there was room for a show down, and when it all came out – in January the viewers for Bossy Bear were 147,000, vs. Paw Patrol’s 80,000. Bossy Bear was UP 77% and Paw Patrol was down 48%.

Bossy Bear is a bear that walks upright – in a family of upright walking animals. The drawings are not photo-realistic, so it is easier perhaps to discern human type behavior as interpreted through animals.

However what TFP wanted to point out is that Bossy Bear ‘lives’ in a multi-cultural area that is more urban based – and they have different characters raised by different kinds of parents and in different ways. It also is based in Asian, specifically Korean culture as interpreted by America – so here’s what AAPI’s – we are winning the future Generations- no one is turned off by the show’s innate and specific Korean-ess, they embrace it and within the fabric of the show, they see themselves and their neighbors.

Yes, it means that kids are more willing to watch different kinds of characters and be inclusive – a huge ups to their parents and families – because Bossy Bear and his sister being of Korean descent – is not threatening to them. The Kids will be all right.

Meaning perhaps we will see a time when someone is not targeted by people for their background. TFP is all for that! Oscar Hammerstein was correct – if you are going to be racist to someone, you must be carefully taught how to do so.

Great that Nickelodeon is teaching children to acknowledge and be open – because in specificity, we find universality.

TFP also wanted to give a shout out to the Newly interpreted British production of Sondheim’s Pacific Overtures at the Menier Chocolate Factory in London. It got rave reviews in all the papers there – and we love to see it. Open till February 24th – Directed by Matthew White, the cast includes Jon Chew, Kanako Nakano, Saori Oda, Takuro Ohno, Joaquin Pedro Valdes, Luoran Ding, Masashi Fujimoto, Rachel Hayne Picar, Eu Jim Hwang, Able Law, Ethan Le Phong, Jo Jo Meredith, Patrick Munday, Sario Solomon, Joy Tan, Lee VG and Iverson Yabut.

Now on to the Mojo Dojo Casa Award Nominations aka The Oscars!

Now TFP fully acknowledges that there are Nominees in so many categories that are super encouraging.

The Supporting Actress category is a joy to look at – America Ferrara for Barbie, Danielle Brooks for The Color Purple and Da’Vine Joy Randolph for The Holdovers, Jodie Foster for Nyad, and Emily Blunt for Oppenheimer.

Must be noted that Ms. Ferrara is the 9th Latina ever nominated and the last time a Latinx performer won in the category was in 2021, Ariana DeBose, awarded in 2022.

In the Best Lead Actress category HERstory is being made as Lily Gladstone is nominated for Killers of the Flower Moon (First Native American Nominated in Best Actress Category). TFP is rooting for her.

There is even A woman nominated in the Best Director Category – Justine Triet who directed Anatomy of a Fall. She is a French national.

In the Best Lead Actor category – Jeffrey Wright and Coleman Domingo

So there is diversity going on – it just seems to TFP that while we applaud certain moves, we cannot help but comment on some others that seem, to quote Julie Andrews, ‘egregiously overlooked’.

Even as we see so much progress…for example…

members of the LGBTQIA+ community playing characters of the LGBTQIA+ community!

TWO of them!

Coleman Domingo and Jodie Foster!

Yet, TFP cannot help but notice…the bulk of the ‘queer’ characters are played by straight people, straight people who are allies, but straight people – again…progress comes like a drip drip and not a tidal wave.

One year of a ‘big win’ for a certain group is not a guarantee of an reworking of that world. It’s not. The kids want it to be, however TFP is old – she knows how progress goes – like the cha cha – forward back, forward back. And a one and a two.

Will we see progress every awards season? A little bit.

But will patriarchy end?

No.

Not even with a bill passed by POTUS Barbie.

People like patriarchy. Of course ‘those people’ are Cis White Men, they love it. They can open their minds and hearts in small amounts, in categories that they do not feel threatened in. Supporting categories for POC, they love that – because to a certain extent they believe that is where all the “Alphabet” people are – and that is our purpose – in their minds.

This is not to negate any one or any performance at all – honestly they are all standouts – but just to note, that is where ‘they’ feel comfortable having us. So that is why it does not threaten the status quo to have diverse nominees in the categories. (Not too much progress at once or ‘we’ will get spoiled.) A win by an Actor or Actress of minority status is always followed it seems, by a win by a straight white person. Don’t believe her?

After awarding Best Supporting to Ariana DeBose, in 2023 the award went to Jamie Lee Curtis for Everything Everywhere All At Once. Also nominated that year in that category were Angela Bassett,(who did somany of the things) Hong Chau, and Stephanie Hsu.

Cuz….

TFP doesn’t know if the horses front ends are anywhere near these nominations, but she is pretty sure they can be included if we look at them from the rear.

There are three women nominated for Original Screenplay – Anatomy of a FallJustine Triet, May December -Samy Burch and Past Lives – Celine Song - that is great, shakes up that category a bit as that has never happened before. Should they all have been nominated in more categories? Yeah.

But then where would the white auteur directors go?

Would have been lovely if Greta Lee had been nominated, or Charles Melton or…it is pointless to go on – we see what it is.

Celine Song should have been nominated in the Best Director category and we know what that is too – let’s just acknowledge it.

Yes, there were super cool pushes for inclusion so- now let’s talk about it – Barbie was not nominated for Best Director or Best Actress – it was nominated in the Adapted Screenplay category so Ms. Gerwig can share the nomination with her Husband.

How nice. What’s that called again, TFP?

Margot Robbie played Barbie, but she also produced the film, so she is nominated in…the Producer category for Best Picture. However no one would have noted the project had she not been able to play the role near perfectly.

Is this a time to get upset? Are we all going to fall on our swords for two white ladies who have one of the highest grossing movies of the last year?

Barbie is a sly comedy – and comedies have always been discounted at The Oscars. TFP is honestly not ‘that’ surprised. The men want the Oscars to ‘mean something’ and so they award them for ‘important’ films that they can feel gravitas for. They have always done this, the men.

Look at The Oscar – it is a giant phallus.

What they have failed to realize, and what TFP relies on with this particular blog is that – humor, in so many ways, is a more important way to get across a message than demanding everyone be agitated. or crying. Or pounding their chests.

Men are sensitive.

The girls that laughed, their moms, and grandmothers and aunties who saw what was made ‘for them’, will make sure that film lives on in infamy, it is already a giant box office winner – but that comedic film will be shown until we no longer show films – that is a win.

Bigger than any ceremony.

In many ways, the non-nominations are the point. They are getting addressed on Instagram by Hillary Rodham Clinton – that is the point as well. That the ‘gals’ were right. They only get proven more ‘right’ as time goes on. Tick tock.

Greta Gerwig wrote and directed one of the most pointed take-downs of male ego in our modern cinema and the only ones who found it not at all painful to ‘get’ were women and the Gay men who love them.

That is it.

LGBTQIA + and cis women.

Cis women of all kinds ‘got’ it.

America Ferrara delivered a BLISTERING testimonial of what being in a patriarchy does to the female psyche, yes – but Greta Gerwig penned it. (TFP is not willing to give Noah credit for that monologue -he would have no way ‘in’ to that insight.)

Now it is fine, and by fine she means ‘totally infuriating but expected’ that they did not nominate Ms. Gerwig nor Aussie Actress/Producer Margot Robbie for awards for Best Director and Best Actress for BARBIE.

The point was made – we can only get so far before men stop us.

In a film about BARBIE, they nominated Ken. (And Gloria, who is not a Barbie at all)

The Oscars do not like comedies, so it was always a long shot.

Eventually – those men will die.

That is what they are scared of.

Men are mostly afraid of being laughed at – that is why they don’t like Drag Queen Story Hour.

TFP isn’t angry about any of it, it is actually amusing to watch because the talking points for conversation will be endless. Some push back will come from conservative women who hold up the patriarchy – because of course it will.

TFP expects it.

Does not matter though – the film is out, and it does not have to roar and rage – it can make it’s point by being smart and clever. It has bops and triple threats, and it is FUN, and for those who could not bring themselves to vote for a comedy film that will be a cultural touchstone for a long time – meh – your loss.

This is one of the unique issues of being a woman. We live longer and we never forget.

So All Hail to the Actors of Diversity that have made it to the Big Show this year – the world changes every day – we are watching it at the Oscars in slo-mo – but it’s still moving forward and that’s something to celebrate.

May the flowers you get be the ones that mean something to you.

S’allright Folks, Dance it out!

The Golden Globes were on Sunday night, and as many predicted, Ali Wong and Steven Yuen walked off with Best Performance by an Actress/Actor in a Miniseries or Motion Picture Made for Television Statuettes for their roles in BEEF.

BEEF also awarded it’s creator, Lee Sun-jin the Best Miniseries, Anthology, or Motion Picture Made for Television. Overall, BEEF was nominated for 13 Awards, and walked away with three.

Charles Melton, the Actor of Mixed Asian background, won for Outstanding Supporting Performance at The Gotham Awards for his role in the feature film, May/December.

Here is his speech at the UNFORGETTABLE Awards –

Great speech.

All of the speeches are great.

Now let’s talk about a moment, from The Golden Globes that was…not quite as great.

The glee with which a lot of people gravitate towards Charles Melton, an exceptionally handsome Mixed Korean man, and the disdain they seem be be showering on Jo Koy, an average looking Mixed Filipino comedian who mostly plays to giant audiences of People of Color, has it’s roots in the uncomfortable truths – which is, unless you are disarmingly attractive as a mixed race person – think Olivia Munn, H.E.R., Nicole Scherzinger, Merle Dandridge, Tyson Beckford, Olivia Rodrigo, and so on – you are going to be in a rough place, both with white people who do not know where to put you AND those with 100 per cent Asian forbears.

In fact, TFP has noticed on the clock app, a glee that is coming from the non-Mixed Asians that seems almost diabolical in their need not just to acknowledge that Mr. Koy had a rough night, but mocking his comedic voice in general. As someone who has hung out with a lot of comedians, this rubs TFP the wrong way.

Everyone can have a rough set. Everyone can misfire. To go after the man’s entire career is not what should happen.

Not all jokes are going to land with all crowds – clearly Mr. Koy is not a comedian who often tells ‘jokes’ – set up, set up, punchline. He is a storytelling comic. He tells stories that his audience – usually mainly People of Color, relate to on some level. His audience is inclusive. He often allies himself with other groups in his crowds, for example pointing out the similarity between Filipinos and Mexicans. Telling Divorced Dads to not fight their ex over child support. Pointing out how his sisters left home early, while he, the only boy, had to be asked to leave by his Mother when he was 28, and then it was just to the garage. He does a lot of bits with his Mom – much as Margaret Cho does when she does standup.

No, his act is not all accents and imitations. That is a punitive take. His standup does rely though, on audience participation.

For example – had he told the joke about Martin Scorsese‘s film, Killers of the Flower Moon to his audience – (What I learned from Killers of the Flower Moon is that white people stole everything) the laughter would have gone on for several minutes. As the person who lifted the story from the book, then centered a white narrative that was, in fact, the killer’s…perhaps Mr. Scorsese (who has lifted from Asian films almost frame for frame aka The Departed) at the Golden Globes were not going to be on board with that.

Hark though – Meryl Streep seemed be fine with him. Robert DeNiro as well.

Taylor Swift, not so much. Which is ok.

This is not about talent – this is about how much white audiences ‘allow POC to flourish’ when they are the focus of the repartee. Jim Gaffigan, very funny standup, was there was laughing, because…he gets it. Why was he there? No idea. TFP is sure someone will tell her. Must have had a comedy special. Ricky Gervais ripped the guests apart and they did not like him either, and yet, he was invited back again and again. White on white crime is allowed. Punching above your weight class?

Could Mr. Koy have done better? Absolutely he could have.

She hopes never to hear the word ‘boobies’ in an award ceremony again – ever. Nor does she enjoy the thought that a man could be seated in one part of the auditorium, whilst his nether regions are long enough to extend to the stage. Sounds incredibly uncomfortable, just think of his tailor.

However, the combination of chilly white gazes and the Asians online condemning Jo Koy is not just a “how very DARE he” kind of thing.

TFP sees it as purist behavior.

TFP has hosted quite a lot, nothing as large as the Golden Globes – but Whoopi Goldberg has. What she had to say, TFP agreed with- Mr. Koy just did not know the room. Hired ten days prior, he did not even get enough time to envision himself knowing the room and writers?

Of course he used them. All Hosts use them.

Mixed race Asian people are applauded when they do well – especially good looking ones – because when we accept awards it is wonderful to acknowledge our Asian parent, throw in a phrase the audience might know, show how Asian we are. Mixed race Asian people who hit the wrong note are instantly ostracized and are alarmingly ‘ not Asian enough’ for Asian Americans. Instantly discounted because of their backgrounds. Perhaps we did not know the right way to cut the fruit, or the hand positions to share alcohol, or did not show deference – and when we give folks, ‘the rep sweats’, the bum’s rush is immediate. Sadly after viewing white reactions – Asians got the ‘rep sweats’. And awaaay he goes….

TFP does not know Mr. Koy, but writing this blog – even when you are not actively writing it – makes you aware of things – like that he invested in the Broadway show HERE LIES LOVE, like he got the film EASTER SUNDAY made, which united well known known Fil-Am actors and lesser known together. He had a sitcom pilot that did not go, and as he mentioned – he has had a few Netflix specials. He is going off on a multi-city tour. Jo Koy is a community guy – he is ‘our’ community guy. He may not host an awards show again, but he may, and let’s just wish him better luck next time and a lot more prep time.

He does belong in Hollywood – it was only those who gatekeep Hollywood that decided he did not belong in the room at the Golden Globes. Meryl said he could stay, Taylor said they were ‘never, ever getting back together‘ with one sip of a drink.

It is all good. It was a good Golden Globes – there was an AAPI Host and there were AA award winners. Many, many firsts. When we can stop counting the firsts, we will have won.

Gatekeeping is not what ‘allies’ is supposed to mean – plenty of comics have failed at hosting before, perhaps hosts should be done away with all together – but till then, let’s all do a better job of allowing the people that have shot their shot, a bit of a grace. Some things did not land – it happens. TFP watched the video a few times now, it was not always the joke, it was that white Hollywood does not find itself funny, and only someone from a ‘higher white’ status, aka British, aka Gervais, is allowed to point it out.

And next time, Hollywood Foreign Press – hire Alec Mapa.

He would have had a great bit with Vanessa Williams, America Ferrara, and Matt Damon ready to go. He could wear a matching Willy Wonka outfit and tap his way into the audience, as he has worked with most of them.

TFP out.

The Fairy Princess just wanted to have a peaceful Thursday.

She wanted to watch Scandal, and see if anyone ate their arm off to escape twenty years of incarceration, and perhaps sip a hot chocolate while doing so.

There were some excellent things that occurred this last week, and while she generally sticks to commenting on theater, attention must be paid to Hollywood who has made some cool decisions this week.

To begin with, Reggie Lee– aka Sgt. Wu on NBC’s GRIMM got his own mythical creature of horror to love and rear and name Aswang.

Obviously, the Aswang is on the right....

Obviously, the Aswang is on the right….

The Aswang is so completely a creature that Filipino parents would use to scare children, that I cackled with laughter when I saw it. An Aswang sneaks into a pregnant woman’s bed and eats her unborn child. (I mean, of course, that is really, really bad, but that is definitely an Asian fairy tale – because most of them lead to someone having bodily harm, dying, or getting stuck in a mountain for millions of years – all designed to make us behave and continue to practice piano as we study to be a doctor while doing math problems in our heads.)

The ratings  were FANTASTIC – so yay for Diversity, for Reggie Lee, and for Grimm fans who, let’s face it, might like to not always have to look to a Teutonic dictionary to figure out what is going on every week. Yes, I watch the show, and yes I love the show, but change is good too.

Alec Mapa, currently seen on the ABC Family show, Switched At Birth, as Lea Thompson’s new Gay “Bestie”….

This photo screams subtle, nuanced drama...or maybe that's just my take

This photo screams subtle, nuanced drama…or maybe that’s just my take

is getting an award this coming Saturday in Hollywood – The Fusion Achievement Award from OUTFEST’s Fusion LGBT People of Color Film Festival – which is the only multi-cultural film festival of it’s kind – dedicated to nurturing, showcasing and protecting LGBT Media. Oh – and, speaking of OH – Sandra Oh is going to be on hand to present him with his award, and therefore I give you THIS little gem to enjoy….

Although they probably will not talk about that kind of stuff when she’s presenting him with his fancy award, which coincides with the World Premiere of his new Concert film, Baby Daddy. The Fairy Princess has seen Baby Daddy several times live, and gives it a hearty recommendation – especially if you are a Parent.

Finally, a THIRD good thing announced this week, was the completion of the Casting of Far East Orlando, formerly known as Fresh Off The Boat. The pilot stars Randall Park as the Father, Constance Wu as the Mom, Ian Chen (Gary), Hudson Yang (Eddie), and Forrest Wheeler (Freddy). It is based on the memoir by Celebrity Chef, Eddie Huang – and if it gets ‘the order’, it will give us the first funny Asian American Family on a major network since Margaret Cho’s All American Girl. 

Photo by Jeff Yang

Photo by Jeff Yang

If it gets a ‘order’ and runs at least 4-5 seasons, these small children will be able to buy and sell us all, so finger’s are crossed for you, Kids!

So everything was going good, yes? Seems like Hollywood was doing way better than Theater (Particularly theater in Los Angeles and Philadelphia, ahem). Until I read about Rooney Mara being Cast as Tiger Lily in the new big screen film being directed by Joe Wright.

Just so we are all on the same page – there is a play and a novel – called  Peter Pan, Or the Boy Who Wouldn’t Grow Up, and it was written by J.M. Barrie  – who was Scottish. He wrote the play in 1904, and the novel later in 1911.

Author, J.M. Barrie

Author, J.M. Barrie

Scholars believe that the character of Peter is based  in part on Barrie’s brother, David, who died in an accident at age 14. His Mother, Margaret had a hard time with David’s passing, as he was her favorite, and the way she coped was by enjoying a fantasy that David would never grow up, and therefore never leave her. He also based Peter on his friendships with the 5 young sons of Arthur  & Sylvia Llewelyn Davies – to whom, after their parents passed, he became Guardian. The boys were named George, John, Peter, Michael, and Nicholas. He made up the “Peter Pan’ stories to keep the boys amused – but of course, he needed to create a world in which the characters lived, and so he decided upon “Neverland”.

Neverland is not a real place, of course, it is a dream. But, as with all dreams – and as even, with the character of Peter himself, Barrie based them on what was happening around him – he even named most of the characters for people that he knew. Peter, Wendy, John – all people he knew.

Though he may have known someone who was Native American, upon whom Tiger Lily was based, the odds are that she is simply a ‘made up’ character because he, as had most of the UK at the time, would have grown up hearing about stories of the American West and the British wars with the Native Populations of America, playing ‘Cowboys and Indians”.

Or, it could have been a fun story device – whatever the reason, he made up a name of a Tribe – the Piccaninny, which he based on Native American tribes, and made Tiger Lily their Princess and to a certain extent, a rival for Peter’s affections for Wendy Darling.

The description of Tiger Lily is, according to Wikipedia:

  • Tiger Lily is the proud, beautiful princess of the Piccaninny Tribe. In the book, the Indians of Neverland were portrayed in a nature that is now regarded as stereotypical.[9] Barrie portrayed them as primitive, warlike savages who spoke with guttural voice tones.[9] She is apparently old enough to be married, but she refuses any suitors because she desires Peter over all. She is jealous of Wendy and Tinker Bell. Tiger Lily is nearly killed by Captain Hook when she is seen boarding the Jolly Roger with a knife in her mouth, but Peter saves her.

Having studied literature at the University of Edinburgh,  Barrie would have been most familiar with the British image of the ‘noble savage, which became very popular in the 16th and 17th centuries. J.M. Barrie was born in 1860, so when he created the character of Tiger Lily and her tribe in Peter Pan, the images he may have seen of “Noble Savages’ might have been something like this:

Description: Portrait of a Native American woman, half-length directed to right, wearing feather headdress and holding a quiver with arrows Etching on thin paper Dimensions: Height: 97 millimetres (trimmed), Width: 71 millimetres Inscriptions: Lettered in top left corner: "Rembrandt f. / 1632". Print made by: Rembrandt (Follower of) Date: 1650-1750 (c.) Curator's comments: Possibly a later pas

Description: Portrait of a Native American woman, half-length directed to right, wearing feather headdress and holding a quiver with arrows
Etching on thin paper
Inscriptions: Lettered in top left corner: “Rembrandt f. / 1632”.
Print made by: Rembrandt (Follower of)
Date: 1650-1750 (c.) 

as this etching is in a collection in the British Museum.

He may have walked past this Ashinaabe outfit collected by Lieutenant Andrew Foster during his military service in North America circa 1780, also in the British Museum.

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However even if J. M. Barrie was not patrolling the Native American collection at The British Museum in the name of researching a character called Tiger Lily, there were dozens of images of young Native American women around, because there was this lovely invention called photography – so let’s see if The Fairy Princess can find images of NA Women from say, the 1800’s and up, upon who he could base images of his ‘Tiger Lily’ –

Portrait of Marcia Pascal, a young Cherokee Woman, taken 1880 (Collected by the Bureau of American Ethnology)

Portrait of Marcia Pascal, a young Cherokee Woman, taken 1880 (Collected by the Bureau of American Ethnology)

Isabelle Perico Enjady, a Jicarilla Apache Girl

Isabelle Perico Enjady, a Jicarilla Apache Girl

Portrait of Hattie Tom, Chiricahua Apache, in 1899 by F.A. Rhinehart

Portrait of Hattie Tom, Chiricahua Apache, in 1899 by F.A. Rhinehart

Ah, so there were images of young Native American women on whom J.M. Barrie could have based the character of Tiger Lily floating around. Now, in 1904 – it would have been HIGHLY unlikely that J.M. Barrie or anyone else was looking to cast for ‘authenticity’ when casting Tiger Lilly, but here is the interesting thing, when they made the 1924 film of Peter Pan, they cast Anna May Wong as Tiger Lilly.

Anna May Wong in the 1924 film, Peter Pan

Anna May Wong in the 1924 film, Peter Pan

As most people know now, it is believed that an land bridge  of some kind existed, and that people crossed over from Asia into what is now known as North America.

DNA Migration Pattern detailing the now widely accepted 'Land Bridge" theory of migration, which indicates that 'the ancestors of the First Americans came from an East Asian Homeland"

DNA Migration Pattern detailing the now widely accepted ‘Land Bridge” theory of migration, which indicates that ‘the ancestors of the First Americans came from an East Asian Homeland”

Ah, science says that Asian peoples and Native American peoples share some DNA, and are somewhat, super distantly, related! This is not a stretch to believe, after all, we have some shared traits in eye shape and hair, the difference in skin tones would have been because of growing up in different climates and exposures.

Anna May Wong was Chinese American, and our first Asian American film goddess.

Wasn't she gorgeous?

Wasn’t she gorgeous?

Which means that the casting of Anna May Wong as Tiger Lily in 1924 was much closer to the mark than the casting of Rooney Mara in 2014!

Before she had a Dragon Tatoo...

Before she had a Dragon Tattoo…

No one denies that Rooney Mara is a talented actress, or that she is fully capable of investing into a role. But while it is perfectly fine for an actress to dye her hair, or lose weight, or gain weight to play a part, or allow herself to wrinkle, or present herself as a total mess in the film, but totally glamorous on the red carpet promoting the film – in 2014, this casting strikes a bad note. The mildest description would be ‘insensitive’.

Or you could read this article on The Huffington Post, they have a few words for it.

Now, on the off-chance that Ms. Mara was going to claim some percentage of Native American heritage, a la Johnny Depp, in order to divert attention from the fact that in today’s world, this casting is in poor taste, I looked her up. Her Dad’s Family owns the New York Giants football team and they hail from County Down in Ireland. Her Mother’s Family owns the Pittsburgh Steelers, and they are Irish and Italian.

My Father, who was 100 per cent Irish American, was a lawyer. His people were from Kerry. He passed away in 2012.

The One and Only, Himself

The One and Only, Himself

In the course of his practice, he represented two Native American tribes who were fighting for State and Federal recognition. My Dad did not get paid as the tribes did not have the money to hire an attorney such as himself, because they had all sorts of internal issues.

When I asked him once about why he chose to do this – because it was hours and hours on the phone talking to the Chiefs, and so on, he told me that America could never make up to the Native Americans for all the crimes that were done to them. He told me that America had been very good to the Irish people, that they had done very well in this country, and that Irish people and Native Americans should stick together – because the English had treated the Irish almost as badly as the Americans had treated the Native Americans – almost.

It struck me, as I was reading about Rooney Mara’s casting that my Father, who was made “Tribal Judge’ for one of the tribes, would not approve of the casting of an Irish American, whose family had done particularly well in America, to be portraying a Native American.

Even if it is a mythical tribe in Neverland, which is based on an idea, but which does not truly exist. The Piccaninnys may not exist, but they are based on people who do.

Native_American_map[1]

But you know – no Actress casts herself, she is offered the part. So while we can question Ms. Mara’s decision to accept it, it’s perfectly within her rights to do so.

I have read some quotes from the director that this is a ‘re-imagining‘ and it is going to be a multi-cultural cast but I will say this again – and again, and again, and I will keep saying it until people who are trying to justify their insensitive casting decisions get it:

Multi-racial is not an excuse for when you want to culturally ‘skin’ a minority & wear us like a coat

Multi-cultural is not supposed to take away from people whose representation is already marginalized.

Multi-cultural is not supposed to be a buzz word defense for being ‘called’ on casting choices that amount to appropriation.

Also, as The Fairy Princess looks to see who has been announced as the Cast of this film – Rooney Mara, Hugh Jackman, Garrett Hedlund – she does not see a lot of ‘diversity’.

Maybe she’s being silly. Maybe Director Joe Wright is one of those guys who claims he ‘doesn’t see color’ –

MV5BMTMyNTI5NjUxM15BMl5BanBnXkFtZTcwMzI3ODQ1MQ@@._V1_SX214_CR0,0,214,317_

Here’s the thing, Joe – may I call you Joe?

If you don’t see color,  how do you drive?

Ten smacks of the wand to Director Joe Wright – because you could have helped move everyone forward, and you chose not to. It’s not a ‘creative’ decision you made there, Joe – may I call you Joe? It is a decision steeped in a  ‘world view’ that does not view the world at all.

You could have done a remarkable thing and cast the first Native American as Tiger Lily on screen since, ummm, well, EVER!
(Apologies to Anna May Wong). But YOU chose not to, and that makes The Fairy Princess’s wings do a ‘sad flap’- because once again, the white guy refuses to ‘see’ people of color.

Which means that as in days past, the White Man is trying to erase Native Americans from the cultural landscape.

Man, The Fairy Princess just hates when people do not ‘get it’! You would think people were tired of being stupid and lazy, but apparently not. Frightening.

I guess, Mr. Wright, you can join the ever growing list of cultural arbiters with little progressive vision and…

Kiss My Fan, Tan Fannie!