Archives for the month of: July, 2025

The Fairy Princess knows the Broadway AANHPI Community is hurting about the decision to cast a non-Asian performer into a role that had been originated on Broadway by an Asian descended performer.

No matter how much they ‘whitesplain’ this decision – and here are some examples:

  1. The character is a robot. Robots are ordered, anyone can order any kind of robot they want.
  2. In previous workshops the casting was all over the place and they tried many different scenarios for who was to be the robot
  3. Asians are gatekeeping

TFP is not going to dwell on those examples, nor address them because…they are toxic.

Producers can choose to say what they want, and they can even order the cast to go along with this but here is what is being set up by a show that won, in part, for it’s diversity.

TFP has spent the last 14 years writing about diversity for AANHPIs and to see this happen makes her want to…

However TFP thought she would point out that TONY NOMINEE CONRAD RICAMORA of STAGE, TELEVISION, and FILM has decided he is investing in education.

Specifically he is funding a scholarship for AANHPI MALES pursuing a BFA or MFA in Theater – sorry ladies, but they have not made Claire white, yet – called ‘THE RIGHT TO BE THERE: A scholarship for Asian American Male Actors”

He is beginning the fund with $5K of his own money, and then will match other donations up to the first $10,000. Even if you do not believe in you, AANHPIs, even if your Family, and the Industry has quite clearly decided that the world does not need you – CONRAD RICAMORA thinks it does.

TFP does as well.

See who else ‘liked’ his post – go take a look, THE QUEEN.

Just sayin’

Here is why TFP cares so much – she has a son.

He deserves to see himself represented. He deserves to sit at a show and see a variation of himself as a dynamic lead. TFP‘s son is of mixed Korean descent, (although he is looking like he could play DDK’s son in that photo) and he was absolutely looking forward to seeing MAYBE HAPPY ENDING – and when he heard the new casting announced on Sirius Broadway XM, he yelled, “Wait – isn’t that part Asian?

We will not be going to see MHE until there is an AANHPI male in the role. We are choosing to vote with our ticket sales. After all, Mommy saw it that way, and she wishes her son to see it ‘that way’. The whole point of bringing her kid to theater is for him to have an authentic sense of self.

By the way – for those who have stated that this casting ‘is only 9 weeks’ or who have, because of employment issues, needed to react positively to this news on social media….ok.

That’s your view, that we are all ‘post-racial’.

If the show was really post-racial, then it would have never been set in South Korea. An actual place.

If the show was really post-racial then there would be no need to use Asian names or places.

If the show was really post-racial then Jeju Island and the Love Hotel and all the dialogue – “He looks like James, oh he looks like James, he looks like James too” – would not take a seemingly racial turn if anyone of any background spoke it.

It’s funny because Oliver is AANHPI. That is the reason that joke is charming, if he is not AANHPI it becomes…troublesome.

We do not live in a post-racial world.

TFP does not carry a color copy of her passport and have her son do the same because the world in which we now live is post racial. She did not have to get Global Entry and carry it everywhere she goes to further prove she is a US citizen, because the world, the New York, the United States she lives in is a post racial beacon of love and kindness.

We have an invasive cancer in our country right now, and this casting is the first small freckle of melanoma that we are seeing in a while – mostly, theater has been ‘ok’ for a bit – people seemed to be getting it, that ‘representation matters’, and while not everyone was on board with that – most people were, and it was so nice. It was a nice feeling.

AANHPI Theater no longer has that feeling.

It’s so bad, Playwright, Lauren Yee had to arrange for a Community night!

Thank you Lauren and Signature Theater for hosting.

Pretty soon, the role of Claire will also be played by a Non Asian.

Of course it will.

It will start with Broadway, and then as it goes down the chain and is licensed out, Claire will be blonde. That’s why her name is Claire.

The audience is being prepped to expect this because even though the Producers acknowledge the beauty and strength and appeal of having an AANHPI Cast, and legitimately used DEI talking points in their TONY Award campaign, it seemed there was always an intention to not use an AANHPI casting

Even after a tremendous development process that included workshops and productions outside of the USA the writers decided that the best way to tell the story was with Claire and Oliver being ‘AANHPI coded”

Which is TFP’s point – because it does not make sense that people from a homogenous culture who are looking to put robots in place of family members to care for them would choose to pick robots that looked like an entirely different group – the producers are still going to do it.

Because…

Will it serve the story?

The only way we will know is ticket sales. The audience will buy in or it will not.

However do not lose hope – because even as much as the world has the new embattled Superman, full of flaws and choosing honor – AANHPI America has Conrad Ricamora.

Right now, Conrad Ricamora is ‘our’ Superman. Another Mixed Race Asian Actor who is succeeding, and leaving the door open for those coming behind him.

It is beautiful to see, particularly now.

CONRAD RICAMORA GIF PACK – @sophiexrph on Tumblr

And TFP will TAKE IT!

The Fairy Princess got up this morning to find that the Producers of Maybe Happy Ending, the TONY Award winning production of MAYBE HAPPY ENDING, which is set in Seoul, Korea – intends to replace Darren Criss, who is of Asian descent, with Andrew Barth Feldman – who is an Evan from Dear Evan Hansen, and in, in real life, the boyfriend of Helen J. Shen, who stars in this show.

(They made that part of the marketing, which is the only reason TFP mentions it)

Was Zach Piser (star of KPOP the musical, and a Broadway Evan Hansen, & recently closed on Bway, REDWOOD) not available?

It is giving – for those of you who know TFP is Australian, real throwback vibes of the Sydney Opera House production of The King & I, starring Lisa McCune and HER then boyfriend, Teddy Tahu Rhodes, as The King of Siam. Teddy was not Asian. Teddy is still not Asian. He teaches now in Adelaide.

Anyway, TFP wrote about it and then they replaced him with Lou Diamond Phillips, and then when LDP hurt his foot – he was replaced by Jason Scott Lee. Both Mr. Philips and Mr. Lee are of Asian descent.

It was whitewashing then, and it is whitewashing now.

Look, there are some kickass people in Maybe Happy Ending, and Helen J. Shen is one of them – so this is not to come down on ANY of the Actors in the show.

Actors go where they are hired, and right now, the Producers have made this decision to hire a non Asian-descended actor to replace an Asian descended actor – when there is LEGIT AANHPH TALENT ALL OVER BROADWAY!

Has folks feeling all…

However the tone deafness of this casting is particularly painful because:

  1. The show has been touted for it’s casting
  2. This upcoming Broadway season does not, as of yet – seem to have ANY AANHPI leads other than Keanu Reeves, and that is only if you can afford the $150-$950 tickets now available for WAITING FOR GODOT – so frankly, Maybe Happy Ending is ‘it’ for representation right now
  3. AANHPIs just had a remarkable winning TONY season, and now, poof – it goes away just like that
  4. Maybe Happy Ending does not need ‘stars’ – it doesn’t. Whoever plays Oliver becomes, de facto, a Broadway star.

Again, was Zach Piser busy? Cuz…

Ahem.

(No, Zach Piser has no idea TFP is throwing his hat into the ring for this show, it is without his consent, and one should acknowledge that – he is a suggestion based on Mr. Criss and who could replace him, and fulfill all the requirements – particularly having lead a Broadway cast before and having a fan base.)

TFP thinks replacing Darren Criss, who is a mixed Asian descended Actor with someone like Zach Piser, ALSO a mixed Asian descended Actor who has been on Broadway and headlined shows – truth be told the VERY SAME show that Mr. Feldman headlined, would have been a…stronger choice.

TFP was not going to randomly throw out names, however…perhaps she should..now these names are not specifically Korean – because we do not segregate on Broadway and TFP is against any kind of ‘blood quantum’ aspect of an AANHPI Actor excluding themselves from a role based on where one’s grandparents come from.

However she will throw out names – all have been in Broadway shows, all have had great reviews and impact and are very talented – and this is a few, not ALL –

However – and you can look them up:

Michael K. Lee, Kelvin Moon Loh, Marc delaCruz, Raymond J. Lee, Telly Leung, Kevin Woo, Eddy Lee, Conrad Ricamora, Timothy H. Lee, Kennedy Kanagawa, Abraham Lim, Joshua Lee, James Kho, Jinwoo Jung, John Yi etc, etc, etc…

They all should have been considered, because the show really does not make sense with a non AANHPI Helper Bot.

It just does not make sense.

The show takes place in a semi-distant future in Seoul.

Seoul is in South Korea.

Do we really need to go to one of TFP‘s parlor tricks and pull out a map?

FFS

See, that’s Korea – and it is located in the Sea of Japan and the Yellow Sea – right below it is Japan. In between Japan and South Korea, specifically Seoul is Jeju Island – which plays a major part in the storyline. The Helper Bots drive a car from Seoul to the ferry at Jeju to see the fireflies.

However as performed, this show has always had AANHPI people in the lead roles of Oliver and Claire.

Despite where it is set, there IS a ‘white guy”.

Yes there is one role, Gil Brently, played by Dez Duron who is an amalgam of a white jazz pop singers like Frank Sinatra, like Dean Martin, like Michael Bublè – that is where we see ‘white representation’. In a show set in South Korea. ENTIRELY set in South Korea.

Otherwise the cast is entirely AANHPI – and it has been that way since the show opened and won TONY Awards, including Best Musical, Best Direction, Best Book, Best Score – yadda yadda, Congratulations on all of that…

TFP is a HUGE FAN of all the cast of MAYBE HAPPY ENDING.

She will share a photo now to acknowledge the HUGE PERSONAL RISK she is taking in writing about this at all, because this is NOT an attack on any of the actors coming in to the show, or currently in the show.

It is not right to ignore it either – and kudos to the Producers for shooting TFP’s BP right into the stratosphere with this announcement.

TFP thinks what happened is an ‘accident’ of proximity – there is a Broadway actor, he is around all the time, there is a role the Producers need to fill for 9 weeks – 2 months and a week, and they figure, “Why not?” – after all vocally it is a match and this is the point that TFP thinks it hung on:

Helper Bots are not an ‘actual thing’, they are a made up thing, and Helper Bots are something people in this musical ‘order for purchase’, so yes, ostensibly these South Korean owners – these South Korean owners of the Helper Bots ‘could’ order a non-Korean appearing robot.

To serve all needs in a very Korean household.

Because there is nothing Koreans from Korea like more than diaspora in their homes….

Helper Bots are clearly a South Korean ‘thing’ because the owners that they show of these robots are of South Korean Descent. There has been a climate issue or climate crisis, and that is affecting how people are able to live without assistance, it could also be post the 4B movement in Korea which results population decline. The writers do not ‘spell it out’, but clearly, there is an issue there.

That is their background, and here are who plays the ‘owners’ of these Helper Bots – Arden Cho, who is killing it now as the voice of Rumi in KPOP Demon Hunters on Netflix, is Helper Bot Claire’s owner.

Marcus Choi is Helper Bot Oliver’s owner.

So while TFP can almost ‘hear’ what the justification is for this casting, she thinks that it does not fulfill the the classic way in which actors/directors break down a piece – which is:

WHO – who is this character including physical description, likes, dislikes, cultural background

WHAT – what is the circumstance in which this character is appearing

WHEN – when in the time of the show, when in the time of the writer’s career, and when specifically in the character’s life is this happening

WHERE – physical location generally and then, specifically, and then nuances – in his apartment, in the kitchen, at noon…etc

WHY – why today? Why this moment? Why is whatever happening, why is it happening now?

HOW– How did they get to this point, in the show, in the moment

Now, there have been quotes from the creative team, so there is nothing to be done, except reiterate that this casting does not make sense to TFP, but she can only assume they wanted to use the real life element to propel ticket sales, which, hey – it’s not show friendship, it is show business.

Also, folks may be angry with one of the creators signing off on this- Hue Park, but TFP wants to remind everyone that Creatives who come from a mostly homogeneous country do not travel outside their country with the intent of ‘representing’ for, in this case, AANHPIs.

We have seen this again and again from Filmmakers and Writers of the Asian diaspora- so this should not be a surprise- just an oddly familiar disappointment.

‘We’ cannot honestly be that angry with Mr. Park because he is not going to ‘get ‘ it- and, one supposes we should not expect him to- although he did study at NYU and the show literally campaigned on diversity.

In which case, it was never about representation- it was always about a check.

She still thinks it is a mistake.

It ends Michael Arden’s record of being the one director who felt like a safe space to People of Color – and this may not even be his choice. However by pulling a quote from him and the composing team and putting it in the press release, it is giving them no choice but to go stand behind it. The check has to clear.

TFP does not think this is a choice by Casting Director Bernie Telsey or his team, they have long been a champion of diversity on Broadway and beyond. In some respects Broadway only started to change when Bernie Telsey came on the scene, and TFP does not say that lightly.

The casting of RENT changed things. It changed things for her personally and for her friends, she saw it – so no, she does not hold casting responsible. They were instructed to bring the actor in for a music run through and then send over a contract.

This is quite clearly a Producer choice.

However TFP will add- if the hook was AANHPI Casting, but the intention was not to keep it once the awards were awarded- DO NOT SET THE SHOW IN SOUTH KOREA, A REAL and ACTUAL PLACE!

If a non AANHPI Cast was going to come up- then do not have them travel from Seoul to Jejun Island, make up somewhere and have them travel from A to B. Do not name anything for Korean culture- because it MAKES NO SENSE!

Key producers for Maybe Happy Ending include Jeffrey Richards, Hunter Arnold, and Darren Criss. Other producers include Rebecca Gold, Spencer Ross, Adam Zotovich, Kayla Greenspan, M/B/P Productions, Fahs Productions, Ken Greiner, Ruth Hendel, Willette and Manny Klausner, Cody Lassen, Mix and Match Productions, The Nederlander Organization, and Jacob Stuckelman & John Albert Harris

Lotta names there, we’ll have to remember them….particularly Hunter Arnold…

TFP ventures a guess that for the next few months, the audience for this show will look different. It robs the soul from the production set in Seoul, and that is a shame.

None of the cast has anything to do with it, so please do not harass anyone. We only ‘vote’ on Broadway by purchasing a ticket, so that is all you can do – vote with your ticket choices.

TICKET CHOICES ONLY – do NOT enact hideous internet trolling on any of the Actors and the Creative Team of this show please – there HAS to be a standard here, there HAS to be. Theater MUST hold itself to a higher standard than The House and Congress and certainly, The White House.

You can be sad about it TFP is sad about it – but making the lives of people who live to entertain you miserable, is NOT IT – get it?

IF you DO want to see a show, starring an AANHPI – you can join TFP this Sunday at The Cutting Room and see ALEC MAPA as he rolls out his next comedy special at 7PM

44 East 32nd Street, NYC, NY 10016 (2120 691-1900

All right then, another day, another time to be AANHPI and be…wistful.

Rather a slap coming right off a very exciting Awards season, but hey – hopefully they will feel the difference and make amends.

People can only learn at the rate they learn, and that is it.

TFP out.

The Fairy Princess has been looking at announced shows for the upcoming Fall, Winter, and Spring season, and in terms of AANHPI representation…things are looking a bit

Which is only to be expected, as it is very hard to top this year, with TONY Awards going to AANHPIs in record numbers. “Our” Award winners in the performance categories literally doubled from 3 to 6.

We had lead players in Broadway plays and musicals of AANHPI descent at a ratio that was shocking, and it is natural that those numbers we ‘readjust’ for this coming season. This is where folks think, ‘Ok, we fixed it’ in terms of diversity in casting.

Last time they ‘fixed it’ like this was, frankly, in 2016 when Hamilton won.

Yes, Hamilton won and just like that casting was ‘solved’.

In point of fact, Broadway did not have a lot of representation going on for the following two years because…everyone felt the issues were fixed.

Were they?

Well let’s see who won in 2017 – Ben Platt, Kevin Kline, Bette Midler, Laurie Metcalf, Gavin Creel, Rachel Bay Jones, Cynthia Nixon to name a few.

In 2018 there was The Band’s Visit, which diversified things a bit, lovely to see – so the names changed somewhat and the TONY winners were Tony Shaloub, Andrew Garfield, Katrina Lenk, Glenda Jackson, Nathan Lane, Ari’el Stachel, Lindsay Mendez and Laurie Metcalf

So…yes, you will see the occasional person as part of a cast, your friends who are in shows are not suddenly being released, you can still see them, TFP is talking new shows on the horizon…

There is not, at the moment, a slated AANHPI cast coming to Broadway in the 2025/26 season that has been announced. (yet)

There is a role in Queen of Versailles that has representation, but we shall have to wait till it opens.

TFP wants to warn folks who will again, be optimistic as to what this means going forward – that ‘inclusion in casting’ is never ‘solved’. Sometimes Broadway looks like it is an ‘all-play’ and sometimes it looks like a PWI.

Life is a pendulum, sometimes it swings towards and sometimes it swings away. Looking objectively at the casts that have been announced for Broadway, TFP is thinking you will find more of ‘your/our’ stories Off Broadway.

Do not forget to support theater companies like Pan Asian Rep, Ma-Yi, and others because right now, with the NEA Grants either being postponed or pemanently frozen, ‘we’ are going to have to support the theater we want to see.

You have to enjoy what you have when you have it, and hope to push the bar forward so that options are always available.

Like noodles.

However, as the Gray Lady, The New York Times has announced enormous change in their theater critics assignments, perhaps some shows with a more novel point of view will be embraced going forward, which will enable change to be consistent.

Meanwhile let’s check in with ‘our’ TONY winners, what is going on, and how long is everyone staying….

Past TONY Winner, Lea Salonga, has closed OLD FRIENDS on Broadway and is in the Philippines doing the Sondheim classic, INTO THE WOODS. She is also set to receive her own star on the Hollywood Walk of Fame – we do not have a date yet, but that is very exciting.

Marco Paguia is still at Buena Vista Social Club leading the orchestra. He won for Best Orchestrations. The show is selling out, and he is staying at the helm musically.

Nicole Scherzinger will be closing Sunset Blvd, the show she won Best Actress in a Musical for on July 20, 2025. It was always a limited run, we just do not have another Hawaiian, Ukranian, Filipina superstar to fill in with a show, and well, that’s life.

Darren Criss, who won Best Actor in a Musical for Maybe Happy Ending, for his role of Oliver – will be leaving his show on August 31, 2025.

Maybe Happy Ending won Best Direction of a Musical for Michael Arden, Best Book of a Musical for Hue Park & Will Aronson, Best Original Score of a Musical for Park & Aronson, Best Scenic Design for Dana Laffey & George Reeve, and it will stay open on Broadway.

The cast is largely AANHPI. However no clue as to how long the Original Broadway Company (Helen J. Shen, Marcus Choi, Dez Duron, Daniel May, Steve Huynh, Hannah Kevitt, Claire Kwon, Christopher James Tamayo) will stay, although we wish them SRO crowds in perpetuity.

Ms. Shen has been announced as part of the cast of the feature film, The Devil Wears Prada 2, also announced as part of that cast is TONY Nominee for 2025 in Oh! Mary, Conrad Ricamora.

Traci Thoms is returning as well, and if “Lily’ doesn’t walk in swinging that now vintage Marc Jacobs blue tote…well, heads will roll.

Congrats to them.

Francis Jue, who won for Best Supporting Actor in a Play for his role in Yellow Face written by David Henry Hwang, a show that is already closed, will next appear in TARTUFFE, as Cleante, which is a new version by playwright Lucas Hnath.

It will be at NYTW and that is Off-Broadway, his co-stars include Matthew Broderick, David Cross, Emily Davis, Bianca del Rio, Amber Gray, Ryan Haddad, Lisa Kron and Ufomadu. It will be directed by Obie winner, Sara Benson.

In fact, reflecting on Mr. Jue, who has now that gleaming TONY Award, that even in this moment ‘at the top’, his next announced project is placing him where he ‘lives’ – doing interesting work Off Broadway.

He has had a 35 year career as an actor. Mr. Jue is a ‘playwright’s actor’ – meaning an actor playwrights like to work with, one that brings to life new works in a way that defines them ever afterward. He has worked for playwrights like David Henry Hwang, Lauren Yee, Hansol Jung, Frances Ya-Chu Cowhig, Kevin So, William Shakespeare, and on and on.

He has ‘changed the stage’ for anyone who seen his work. He is Francis Jue, he was always working. He has a list of awards and nominations as long as your arm – in fact, there is no more honored modern day Actor of Asian heritage than Francis Jue.

The reason that the audience cheered so loudly at the Tonys were because Francis Jue embodies what it is to be an actor. He is a journeyman – ever moving forward, wandering new vistas, exploring new roles. He has done dramas, comedy, television, film, Broadway plays AND Broadway musicals.

He came to the profession in college, and has moved organically through the world – not relying on connections or who his parents were to build his career. He built his career on his body of work. He is a true gentleman of the theater, combining performing with service to Actors Equity Association on occasion – he lives, eats, and breathes theater, and it was lovely that theater recognized it.

That is why everyone cheered.

Now they need to give him another TONY Award worthy role on Broadway. It would be amazing if Cambodian Rock Band came to Broadway…just sayin….cough cough

Congratulations Mr. Jue!

TFP knows that Alvin Ing is cheering for you along with the rest of us.

(Knowing Alvin, he was probably annoyed it took this long, which is why TFP picked this cat meme.)

You can STILL seen AANHPI representation on the stages in New York!

TFP will list a few below:

This is not meant to be depressing, Folks – if you live in NYC, or even if you do not, you can see TWELFTH NIGHT with Sandra Oh – PBS is going to be making the production available to everyone on November 14th at 9 p.m.

If you live in New York, you can go to the newly renovated Delcourte Theater in Central Park from August 7 to September 14, 2025 and line up to see if you can get the free tickets to that evening’s performance.

The cast is as follows: Peter Dinklage, Jesse Tyler-Fergusan, Lupita Nyong’o, Sandra Oh, Daphne Rubin Vega, Junior Nyong’o, Khris Davis, John Ellison Conlee, Ariyan Kassam, Valentino Musumeci, Moses Sumney, Kapil Talkwalker, Joe Tapper, Dario Alvarez, Jaina Rose Jallow, Precious Omigie, Chinna Palmer, Nathan M. Ramsey, Jasmine Sharma, Julian Tushabe, Adrian Villegas, Ada Westfall, and Mia Wurgaft.

You can go to the immersive re-imagined Phantom of the Opera, called MASQUERADE at 218 W.57th Street and see Anna Zavelson, Telly Leung, Raymond J. Lee, Riley Noland, Francesca Mehrotra, and Satomi Hoffman. This cast includes former Phantoms and Christines from the Broadway production run, and is all enclosed in a 5 story renovated building – redone to resemble the Paris Opera House.

Cocktail dress and masquerade mask are required, while there will be complimentary mask available as well as available to purchase. It is a 21 and over ‘event’, but guests 16 and up will be allowed to attend during special performances during previews. They ask that high heels not be worn, as part of the experience is the Paris Catacombs under the Opera house.

You will be planted right into the plot of the show and Diane Paulus (Waitress, 1776, Porgy and Bess, Pippin, Jagged Little Pill) is directing. Ms. Paulus is of Japanese and American descent. She directed it! The whole thing!

Quite a lot of representation of all kinds in that cast – so, likely it is time for theater to give it up to the female directors, who have been KILLING it for the past twenty years with very little recognition.

TFP is talking Leigh Siverman, Marcia Milgrom Dodge, Whitney White, Lileana Blain-Cruz, Tina Landau, Rachel Chavkin, Lucy Moss, Sammi Cannold, May Andrales, Marianne Elliot and many more

You can see Keanu Reeves – on Broadway! In Waiting for Godot!

Opening September 28th at The Hudson Theater.

Previews begin Sept 13 and they have a hard out on January 4, 2026.

Currently he is ‘our’ only lead on the Bway, so …go and see him if you can afford the tickets.

TFP just checked and they go from about $480-$900.

All the representation- none of the discounts.

Welp, we shall see if AANHPIs buy those tix…but TFP is not optimistic.

You could ALSO go see Alec Mapa – who actually was in the Original Broadway Company with Francis Jue of M. Butterfly – perform his upcoming comedy special on Sunday July 27th at 7 pm. The show will be at The Cutting Room, 44 E32nd Street, NYC NY 10016 and tickets are available here.

You can also go see JOY! The musical Off Broadway and check out Jaygee Macapugay, last seen in the cast of SUFFS on Broadway – which will be running until August 17, 2025.

She plays Joy’s Father’s new Girlfriend, Lorraine – as Joy invents the Miracle Mop.

Finally, If you have some extra cash but no time to attend right now, you could also throw some money towards actor David Lee Huynh, who is workshopping a play – https://givebutter.com/2eWUM3

Ok that is it, and TFP is outta here, enjoy your summer and your last days of Democracy while we watch all our rights be taken away by a House and Congress and SCOTUS who delight in cruelty and enabling a sociopath.

Cheers!

The Fairy Princess has a few ‘ride or dies’ in her life – her kid, Alec Mapa…you get the picture?

There are a few more, she won’t name them at the current time – they may get in trouble by association, and then be internet cancelled.…or whatever the kids call it now…one outing as someone who knows her irl, and someone will PULL THE LEVER!

(she loves them too much to identify them, but they know who they are)

Which is why when Alec told TFP he was coming back to New York to revisit and revise his show, HA, PENIS! which she had seen last year, she was delighted. She is more than happy to send out the BABE, buy a ticket signal on her blog.

She was at the last show, she will be at this one.

It is that good – and you can read this review here, if you don’t believe her.

She wants to PARTICULARLY encourage the AANHPI’s of the LGBTQIA+ community to attend. She wants a packed NY Audience for this show, because he deserves it. He’s coming back from dealing with cancer, and giving you laughs for %^& sake!

What a trooper!

Listen, Alec Mapa has been pushing the envelope of humor and representation for over 25 years – likely something he said or seeing him on television helped you adjust to being out and AANHPI in your early days.

As much as he’s current, and hilarious, and moving, and open – he’s also one of our gems, shining brightly as he gets his next comedy special together.

AANHPI representation dominated the TONY Awards this year – but Broadway is not all there is – go see this show, it’s hilarious.

He is up there representing Asian queerness for the last several decades, starting at a time when it was literally dangerous to do it, the least we can do is pack the house like it’s a casino with a buffet in Atlantic City where you are promised a photo next to a cutout of two TONY Award winners, Nicole Sherzinger and Darrin Criss!

Sunday, July 27 at 7pm – New York, NY
The Cutting Room (44 E. 32nd Street New York, NY 10016).
Tickets at www.SpinCycleNYC.com

If you take the 3pm ferry back – oh yes, TFP checked the schedule, you have plenty of time for a shower, or power nap, and make it to the show.

She will expect to SEE YOU THERE!

TFP out.